47 10 1079 https://revolution.chnm.org/files/original/660dde92794c95d3ff0f1b1e9f9207bf.mp3 c36ba6b1d3d347e0d653a16f658536e7 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Transcription Any written text transcribed from a sound <table><tbody><tr><td>Hymne du IX Thermidor. Salut, neuf Thermidor, jour de la délivrance, Tu vins purifier un sol ensanglanté Pour la seconde fois Tu fis luire à la France Les rayons de la liberté Deux jours avaient vengé L'opprobre de nos pères Mais le sceptre tombé Des mains du dernier roi Armail encore les mains des tyrans populaire Il ne fut brisé que par toi Il ne fut brisé que par toi. </td> <td>Hymn of 9 Thermidor Welcome, Nine Thermidor, day of delivery, You have come to purify a bloody land For the second time You make France glisten The rays of Liberty In two days you have avenged The disgrace of our fathers But the scepter fallen From the hands of the final king Rearmed the people's tyrants Only you could destroy him Only you could destroy him. </td> </tr></tbody></table> Sortable Date 1795-07-27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource This hymn commemorates the overthrow of Robespierre and the Committee of Public Safety by the men of the National Convention. It had its debut performance on the first anniversary of that event (27 July 1795). Title A name given to the resource Hymn of 9 Thermidor Relation A related resource http://chnm.gmu.edu/revolution/d/617/ Date A point or period of time associated with an event in the lifecycle of the resource 1795-07-27 Identifier An unambiguous reference to the resource within a given context 617 Popular Politics Public Opinion Song The Terror https://revolution.chnm.org/files/original/8b4848ab98808321f2a09d2d2a734e6c.jpg 0d897e77b39815656d6d8290f6ddf409 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Cornell Nap.4 Description An account of the resource Where once cartoonists focused on classical images of death to signal the doom of monarchs and aristocrats, they now used these same symbols to drag Napoleon into the netherworld. Identifier An unambiguous reference to the resource within a given context 161 Title A name given to the resource I Am Called Cerberus but Am Also a Chameleon: Napoleon Being Sucked into Hell Relation A related resource http://chnm.gmu.edu/revolution/d/161/ Europe in Revolution Image Napoleon Bonaparte https://revolution.chnm.org/files/original/86977a69fb8b624861965907840c6be4.jpg 87c4e5e88ec1e22aa6b2b3119609530c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 28.5 x 22 cm Title (French) The image's title, in French. J'savois ben qu'jaurions not tour Caption The image's caption. Vive le Roi, Vive la Nation Sortable Date 1789-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Class solidarity was never universal, as this print celebrates the victory of the peasantry over the nobility and clergy. The two defeated orders, linked together to create a horse, support the peasant who with his newly-won freedom, carries the result of a hunt--an activity not legal for commoners under the Old Regime. The peasant also proclaims, “Vive le roi [the King]. Vive la Nation.” This indicates that this was published early in the Revolution, for by 1792, Louis XVI would no longer be popular. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource I Was Sure We Would Have Our Turn Relation A related resource http://chnm.gmu.edu/revolution/d/152/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 17 (pièces 2760-2907), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1789 Identifier An unambiguous reference to the resource within a given context 152 Image Middle Classes – Bourgeoisie Popular Politics Public Opinion https://revolution.chnm.org/files/original/0a8cf66ca6c48e60a5c72b46e312f627.jpg 0e3a21dda4dd655be5c52338ea337337 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching Physical Dimensions The actual physical size of the original image 25.7 x 16.8 cm Title (French) The image's title, in French. Le peuple aux Tuileries, 20 Juin 1792 Sortable Date 1792-06-20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Division of Rare and Manuscript Collections, Cornell University Description An account of the resource By the spring of 1792, the Revolution was in crisis on several fronts—in April, war had been declared on the Habsburg Empire, uprisings were taking place in provincial cities, and the Legislative Assembly was increasingly divided over whether to consolidate gains already made or press forward with more changes. On 20 June crowds of people in Paris took matters into their own hands, invading first the Assembly and then the Tuileries Palace, where they forced the King to don a Phrygian cap and drink a toast to the health of the nation. Creator An entity primarily responsible for making the resource Denis Auguste Marie Raffet Rights Information about rights held in and over the resource All Rights Reserved Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Image of the Attack of 20 June 1792 Relation A related resource http://chnm.gmu.edu/revolution/d/174/ Date A point or period of time associated with an event in the lifecycle of the resource 1792-06-20 Identifier An unambiguous reference to the resource within a given context 174 Image Monarchy Popular Politics Sans-culottes The Terror https://revolution.chnm.org/files/original/21f92f8174c1d795026df17c8e7a8a55.jpg a49c3312042d7b519a83c5bb29c7dd1e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 12.5 x 8.5 cm Title (French) The image's title, in French. Le Roi, piochant au Champ de Mars Sortable Date 1790-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Having lived through a tumultuous year, France’s political leaders, new and old, perceived the need to foster a sense of unity among the people. The King’s more liberal ministers in particular hoped to prevent attempts to roll back the changes made since the spring of 1789 and to limit momentum for farther–reaching challenges to the monarchy. To this end, the Marquis de La Fayette organized a public pageant in Paris to celebrate the "federation" of the different regions and social groups of France. Here Louis XVI joins the construction site where the festival will take place on 14 July 1790. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Image of the King at the Festival of Federation Relation A related resource http://chnm.gmu.edu/revolution/d/213/|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 22 (pièces 3719-3893), Ancien Régime et Révolution|Extrait de : Révolutions de France et de Brabant, et des royaumes qui, demandant une Assemblée nationale, et arborant la cocarde, mériteront une place dans ces fastes de la liberté|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 122, Pièces 10714-10801, période : 1790 Date A point or period of time associated with an event in the lifecycle of the resource 1790 Identifier An unambiguous reference to the resource within a given context 213 Image Monarchy Popular Politics https://revolution.chnm.org/files/original/1bbd682399b0eecb7183900ed30fd4c9.jpg 072d4250c0ec17c012c22e4029419c61 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 9.5 x 15.5cm Title (French) The image's title, in French. Le Ci-devant roi à la barre de la Convention nationale Caption The image's caption. Mardi XI décembre 1792. Louis capet dernier roi des français fut traduit de la tour du Temple á la barre de la Convention Nationale accompagne du Maire, du procureur de la commune, le Députe Valazé qui lui passoit par derriere lui piece par piece pour lui faire reconnoitre. Sortable Date 1792-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource When he was charged, the King could have simply refused to participate on the grounds that the extant Constitution promised his immunity. But this defense, he knew, was useless and he elected to stand on his record. Among his attorneys was the distinguished and able old regime administrator Chrétlen–Guillaume de Malesherbes. Yet in the end, political necessities and the King’s own actions led to the inevitable results: guilty and execution. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Image of the King on Trial Relation A related resource http://chnm.gmu.edu/revolution/d/190/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 30 (pièces 5018-5141), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1792 Identifier An unambiguous reference to the resource within a given context 190 Image Monarchy Public Opinion https://revolution.chnm.org/files/original/f856da1461935dcf32942140423a62a4.jpg 7b670724503d1ef7ccb8b44b528aa141 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 9.5 x 14 cm Title (French) The image's title, in French. Depart de Louis XVI le 21 juin 1791, à minuit et demie Caption The image's caption. le roi, sa femme sa fille M.de Elisabeth, M. de de Tourzelle, et un garde du corps portant le Dâuphin, vont rejoindre le fiacre, qui les attend au guichet de Marigny Sortable Date 1791-06-21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource This engraving depicts the King, his wife, and his children meeting at half–past midnight on 21 June 1791, about to board a carriage in which they will flee secretly from Paris toward the border. The King and Queen were poorly disguised as servants to a German noblewoman. Since most French people outside of Paris had never seen the King or Queen in person, they expected to avoid recognition if only they could get clear of the capital and the surrounding towns. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Image of the King’s Departure Relation A related resource http://chnm.gmu.edu/revolution/d/94/|Michel Hennin. Estampes relatives à l'Histoire de France. Tome 125, Pièces 10979-11059, période : 1791|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 23 (pièces 3894-4078), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1791 Identifier An unambiguous reference to the resource within a given context 94 Image Monarchy https://revolution.chnm.org/files/original/5aa1e34457c82621c9bd4655699a912a.jpg cbbf9597584b402af83f5cb91614078a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 6 x 9.5 cm Title (French) The image's title, in French. Marie Antoinette d'Autriche au tribunal révolutionnaire Sortable Date 1805-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource The trial of the Queen is here depicted in a tinted engraving by Jean Duplessi–Bertaux as part of his series of Historical Scenes of the French Revolution. Although it refers to her as "Marie Antoinette, the Austrian," the etching portrays her somewhat sympathetically, showing her in a graceful pose with a concerned look on her face amid a hostile prosecutor, judge, and soldiers. Creator An entity primarily responsible for making the resource Jean Duplessi-Bertaux (engraver) Jean-Baptiste-Michel Dupréel (engraver) Jacques Bertaux (painter) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Image of the Queen’s Defense Relation A related resource http://chnm.gmu.edu/revolution/d/141/|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 33 (pièces 5395-5522), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1806 Identifier An unambiguous reference to the resource within a given context 141 Counterrevolution Image Monarchy Women https://revolution.chnm.org/files/original/25159133255245d3b4aec25ee37412d1.jpg 211fc85edd831388cb5866f7f95bef8f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 26 x 35cm Title (French) The image's title, in French. A la mémoire de Marat L'ami du Peuple, assassiné le 13 Juillet 1793 Sortable Date 1793-07-13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Museum of the French Revolution Description An account of the resource A leading voice on behalf of greater popular participation and social policies that would benefit the poor, the journalist Jean–Paul Marat used his radical newspaper the Friend of the People to criticize moderation. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Museum of the French Revolution Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource In Memory of Marat, Friend of the People, Assassinated 13 July, 1793 Relation A related resource http://chnm.gmu.edu/revolution/d/64/ Date A point or period of time associated with an event in the lifecycle of the resource 1793-1794 Identifier An unambiguous reference to the resource within a given context 64 Image The Terror Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Our bulletins may form curious materials for history but their value certainly will not depend on the credit due to their details. Bonaparte attached the greatest importance to those documents, generally drawing them up himself, or correcting them, when written by another hand, if the composition did not please him. It must be confessed that at that time nothing so much flattered self-love as being mentioned in a bulletin. Bonaparte was well aware of this; he knew that to insert a name in a bulletin was conferring a great honour, and that its exclusion was a severe disappointment. General Berthier, to whom I had expressed a strong desire to examine the works of the seige, took me over them; but, notwithstanding his promise of secrecy, he mentioned the circumstance to the General-in-Chief, who had desired me not to approach the works. “What did you go there for?” said Bonaparte to me, with some severity; “that is not your place.” I replied that Berthier told me that no assault would take place that day; and he believed there would be no sortie, as the garrison had made one the preceding evening. “What matters that? There might have been another. Those who have nothing to do in such places are always the first victims. Let every man mind his own business. Wounded or killed, I would not even have noticed you in the bulletin. You would have been laughed at, and that justly.” Sortable Date 1889-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Memoirs of Napoleon Bonaparte by Louis Antoine Fauvelet de Bourrienne edited by R.W. Phipps. Vol. 1 (New York: Charles Scribner's Sons, 1889) p. 206-207. Description An account of the resource In this passage, Bonaparte’s secretary describes the importance and effect of Bonaparte’s propaganda in the form of the military bulletin from an army in the field. Glory and military virtue were emphasized; generals vied to be included. Identifier An unambiguous reference to the resource within a given context 613 Title A name given to the resource In Search of Glory: Bonaparte’s Bulletins Relation A related resource https://chnm.gmu.edu/revolution/d/613/ Date A point or period of time associated with an event in the lifecycle of the resource 1889 Napoleon Bonaparte Public Opinion Text War