Browse Items (1079 total)

http://chnm.gmu.edu/revolution/files/original/d9a18fe35855f420c0d6495b08a53010.jpg

1802

This retrospective shows that early in the Revolution targets were often economic. This should be no surprise as the populace had a long tradition of taking the law into its own hands to rectify what they saw as injustices. Here a guardhouse is…
http://chnm.gmu.edu/revolution/files/original/440ea693c2116396e3704faccfd41af2.jpg

1802

Here an engraver provides a view of the assembly, called by the King to get around the Parlement, a judicial body that blocked his initiatives.
http://chnm.gmu.edu/revolution/files/original/ae1969e76b853f6eff07f7278872e428.jpg

1793-1795

This print shows an angry crowd of fervent revolutionaries breaking down doors to arrest the King.
http://chnm.gmu.edu/revolution/files/original/9aae0117c1f76833704eb284fc6afb8b.jpg

1798-1817

From the beginning it was clear that Napoleon’s political support was closely tied to his fortunes in war. This engraving celebrates the victory over the Austrians at the battle of Marengo in Italy, June 1800. In fact, he almost lost this battle, but…
http://chnm.gmu.edu/revolution/files/original/d2e91c3e0b1c54bcb717326dbe73381b.jpg

1798-1817

The memory of the Queen is glorified in this image.
http://chnm.gmu.edu/revolution/files/original/2eb5d9322c3b5dd3132cedce7cf41691.jpg

1793

This engraving, like the preceeding image, portrays Marat’s assassination at the hands of Corday. In both images, Marat appears serene, a reminder that Marat’s supporters saw him as a Christ incarnated on behalf of the Revolution.
http://chnm.gmu.edu/revolution/files/original/e30bab7c61201d4ba790a06ca2440d84.jpg

1801-00-00

Napoleon encouraged comparisons to the Roman republic. The French adoption of the term "Consul" was a clear reference to the Roman Republic, for that was the name given the men chosen to direct the republican government in Roman times.
http://chnm.gmu.edu/revolution/files/original/58d208d28e5eaf8b5a8eebc19f1914e0.jpg

1857-00-00

An image produced well after the Revolution shows a Queen, assaulted by the gaze of the people, controlled by the soldier, and tentative in her stance and appearance.
http://chnm.gmu.edu/revolution/files/original/4e118aa4ef0a01033190ea505fbaa6eb.jpg

1800

In this propagandistic allegorical engraving, Napoleon saves the female figure of France from the abyss to which she has been led by "revolutionary fanaticism." The figure of fanaticism is armed to the teeth with "the daggers of party spirit" and…
http://chnm.gmu.edu/revolution/files/original/c4b97b44d3384c33fd9611518a134123.jpg

1802

The engraving celebrates the peace treaties of 1801 and 1802. The lack of perspective in this image reflects the vision that Napoleon wanted the French to have when they thought about his actions. Making peace proved to be one of Napoleon’s more…
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