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              <text>Calendrier républicain</text>
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                <text>Bibliothèque Nationale de France</text>
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                <text>http://chnm.gmu.edu/revolution/d/645/|Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France.&lt;/em&gt; Tome 136, Pièces 11948-12048, période : 1794</text>
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              <text>Le Serment du Jeu de paume</text>
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                <text>&lt;span&gt;Musée national du Château de Versailles&lt;/span&gt; et de Trianon, 83EE530 - 500991</text>
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                <text>This amazingly rich sketch by Jacques–Louis David is one of the most famous works from the French revolutionary era. The thrust of the bodies together and toward the center stand for unity. The spectators, including children at the top right, all join the spectators. Even the clergy, so villified later, join in the scene. Only one person, possibly Marat, in the upper left–hand corner, turns his back on the celebration. And, in fact, David is commemorating a great moment of the Revolution on 20 June 1789, in which the deputies, mainly those of the Third Estate, now proclaiming that they represent the nation, stand together against a threatened dispersal.</text>
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                <text>@Photo RMN - Gérard Blot</text>
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                <text>The Tennis Court Oath at Versailles by Jacques–Louis David</text>
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                <text>http://chnm.gmu.edu/revolution/d/633/</text>
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        <name>Middle Classes – Bourgeoisie</name>
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              <text>Napoleon Bonaparte and the Imperial Guard in Elba</text>
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                <text>&lt;span&gt;Division of Rare and Manuscript Collections, Cornell University. 4606, Box 18, J41.&lt;/span&gt;</text>
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                <text>Napoleon spent ten months on this island in the Mediterranean. He was able to follow events in France without much difficulty. This initial exile was part of a relatively lenient settlement granted by the allies in 1814 after Napoleon’s initial defeat. France’s opponents did not want to humble the nation so much that it would seek revenge. Further, they believed that a stable France helped maintain a balance of power in Europe. Thus Napoleon first lived with a sizable entourage not far from the mainland.</text>
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                <text>Rose (engraver)</text>
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                <text>&lt;span&gt;Hippolyte Bellangé (designer)&lt;/span&gt;</text>
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                <text>The Emperor and the Imperial Guard on the Island of Elba</text>
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                <text>&lt;span&gt;Division of Rare and Manuscript Collections, Cornell University&lt;/span&gt; 4606, Box 18, J40</text>
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                <text>Troops sent by Louis XVIII to stop Napoleon’s advance toward Paris either deserted or joined Napoleon.</text>
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                <text>Return from the Island of Elba</text>
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                <text>In July 1807, Napoleon and Alexander agreed to cooperate. Napoleon used this strategy to prevent his enemies from forming an alliance against him.</text>
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                <text>Napoleon’s eventual acquisition of political power may be attributed partly to his success in publicizing his Egyptian campaign as a great victory for France that spread the values of the Revolution. These engravings by the writer and artist Vivant Denon were published in 1802, four years after the campaign when Napoleon was already in power. This first image depicts The Battle of the Pyramids where, within three weeks of landing, Napoleon encountered the opposition and routed them with only thirty French soldiers killed.</text>
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                <text>http://chnm.gmu.edu/revolution/d/139/|&lt;span&gt;Collection Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 142, Pièces 12454-12529, période : 1798-1799&lt;/span&gt;</text>
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              <text>Translation de Voltaire au Panthéon français le 8 Juillet 1792</text>
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                <text>Although Voltaire’s contribution to the Revolution has been much debated, the revolutionaries themselves had absolutely no doubt of his significance. After 1789 he was much in vogue, in that his plays were often performed and other artists lionized him in various ways. One of the highlights of this glorification was the transfer of his remains (he had died in 1778) from the countryside to the Panthéon in Paris, where heroes of the Revolution were to be interred. This ceremony, which celebrated the noted anti–cleric, was part of the revolutionary campaign against the traditional Catholic Church.</text>
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          <name>Original Format</name>
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          <name>Physical Dimensions</name>
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              <text>14 x 23 cm</text>
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          <description>The image's title, in French.</description>
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              <text>Le Degraisseur patriote : patience, Monsieur, votre tour viendra. Le Pressoir. Il ni a plus de remede</text>
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                <text>&lt;span&gt;Bibliothèque Nationale de France&lt;/span&gt;</text>
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                <text>Cartoons attacked the refractory clergy. Here, fat, overfed, and underworked clergy are squeezed down to an appropriate size. As elsewhere, visual images mocked the clergy by depicting them as subject to the threats and physical attacks of others.</text>
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                <text>None Identified</text>
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                <text>Public Domain</text>
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                <text>Patience Monsignor Your Turn Will Come</text>
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                <text>http://chnm.gmu.edu/revolution/d/78/|Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 121, Pièces 10614-10713, période : 1790</text>
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              <text>Engraving</text>
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          <name>Title (English)</name>
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              <text>The Two Belong Together</text>
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              <text>Les Deux font la paire</text>
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                <text>Equestrian skills were expected of a monarch. But portraying the King mounted on a pig was most unflattering. Linking royalty to animals was a theme that emerged after the flight to Varennes.</text>
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                <text>Louis Rides a Pig</text>
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                <text>http://chnm.gmu.edu/revolution/d/77/|Collection de Vinck. &lt;em&gt;Un siècle d'histoire de France par l'estampe, 1770-1870&lt;/em&gt;. Vol. 23 (pièces 3894-4078), Ancien Régime et Révolution</text>
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        <name>Monarchy</name>
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