The treaty in the spring of 1814 had accepted Napoleon’s surrender, but a general meeting of European countries convened to settle broader issues of a postrevolutionary era. While the allies were working on a number of concerns—and as a byproduct,…
The reversal of circumstances that German cartoonists emphasized seemed generally to exercise considerable sway over this use of symbols. Here, Napoleon, who strode so large over Europe, is bottled and examined. Obsessed with his small stature,…
The seal in the foreground, with its fleur–de–lys, indicates a return to royalism after France’s liberation from Napoleon. In addition, the secularism associated with the Revolution is countered with the image’s reference to the religious practice of…
After the defeat in Russia, with renewed allied forces arrayed against him, Napoleon prepared once again to defend France. Yet in 1813 at Leipzig, the Emperor was defeated. This allowed the allies to press a successful campaign, leading to the…
Here, as in other critical images, reversal plays an important role. Proud soldiers have given way to a bedraggled collection of men, far removed from their former glory.
Where once cartoonists focused on classical images of death to signal the doom of monarchs and aristocrats, they now used these same symbols to drag Napoleon into the netherworld.
Napoleon’s efforts to dominate central Europe kindled a huge reaction, as national feelings soared among the many ethnic groups inhabiting the area. While these feelings would eventually lead to great internal conflicts, at first they were focused on…
