Browse Items (67 total)

http://chnm.gmu.edu/revolution/files/original/0749876d1ae895eb899e07b20407545e.jpg

1789

This reproduction of a painting by George Morland (1789) has lurid colors and shows the sale of a slave. The artist suggests that friends or relatives are being separated, as one of the slaves is being forcibly restrained as the other slave is being…
http://chnm.gmu.edu/revolution/files/original/f1bb9ead7be7764eeb118696e647f04a.jpg

1789-1790

This image uses the classical figures of an angel and a cherub to celebrate the achievements of Louis XVI on the base of a statue. The words state that he has destroyed the "aristocracy" and established the liberty of the French people. The monarch’s…
http://chnm.gmu.edu/revolution/files/original/6fa419031c9f221e63e2b28a293fb9af.jpg

1790

This image demonstrates the necessity of nationalizing church property. It shows a peasant cutting the fingers off a priest’s hands; a nobleman cannot bear to watch, but has no qualms about putting on the gloves the clergyman will no longer need.…
http://chnm.gmu.edu/revolution/files/original/d039992636a4aedb3bd1191cf4c72ccd.jpg

1789

Although 14 July 1790 was a high point in the aspiration for unity, the preparation for the Estates–General set the stage for later problems. In this image, representatives of each of the three orders depart together in a cart for the 1789 meeting of…
http://chnm.gmu.edu/revolution/files/original/2b36352bcad6a16a7c3c853256634819.jpg

1789

This hand–colored engraving equates the taking of the Bastille with the rise of the Third Estate against the clergy and nobility. A commoner in a black hat sporting a tricolor cockade plays the bagpipe triumphantly over the fallen lion of the…
http://chnm.gmu.edu/revolution/files/original/f699cdd759d5f8cbb9ecbadc226fe2ea.jpg

1789

This image shows the three orders unified by religion. The Virgin standing at right in a cloud holds a cross from which rays emanate to three figures representing the clergy, nobility, and Third Estate. A hooded figure with a serpent’s tail,…
http://chnm.gmu.edu/revolution/files/original/51a70eb81e361557ed8ccab34dd81877.jpg

1799

A sarcastic treatment from England of French manners that contrasts the weakness of the old regime with revolutionary arrogance. The engraver also seems to be pointing toward two entirely different views of masculinity.
http://chnm.gmu.edu/revolution/files/original/e2c13332703d09ce7c3c66ff13d8f326.jpg

1790

The image points out the destruction of the nobility, depicting the arrival in Hell of a "marquis" and several other "aristocrats," described in the legend as "conspirators" and "traitors."
http://chnm.gmu.edu/revolution/files/original/071f445a4a6c96d48d0ff5239ac37dd2.jpg

1792

Yet another image from the newspaper R*volutions de Paris shows crowds massacring refractory clergy and prisoners. These panels reveal similar occurrences at the police prisons of the Chatelet and the Bic*tre, where altogether an estimated 800 were…
http://chnm.gmu.edu/revolution/files/original/c0542cb39cb11bc24ee27aa1d84a3185.jpg

1792

In one of the most widely reported incidents of the September massacres, a "jury" of twelve "commissioners" was formed spontaneously in the Saint–Germain Abbey to judge the refractory clergy held there as prisoners. After an interrogation and threats…
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