Browse Items (121 total)

http://chnm.gmu.edu/revolution/files/original/0b18f984117ed6194906191d86a20bb2.jpg

1847

Some images of Charlotte Corday emphasized her purity.
http://chnm.gmu.edu/revolution/files/original/ec0472bc396288c2c71fddcbe650cb6c.jpg

Social discrimination against old regime elites continued in this parody of a famous painting prior to the Revolution, The Oath of the Horatii, by Jacques–Louis David which focused on the courage of three brothers who thrust their arms bravely…
http://chnm.gmu.edu/revolution/files/original/bf9131465df601ab37c8fcdc09e6bdd3.jpg

1790

The National Assembly also eliminated monasteries, since monks and nuns had increasingly become figures of ridicule. This image depicts the dissolution of the religious orders, rather than the confiscation of lands, as the crucial element in…
http://chnm.gmu.edu/revolution/files/original/f93e7fe813cd63fc73d60062033da608.jpg

1794-1795

The shoemaker shown here is president of his neighborhood revolutionary committee. Although this engraving does not portray a specific political activity, the character evokes hostility toward laborers and artisans who involved themselves in…
http://chnm.gmu.edu/revolution/files/original/824c708f09e542a311d72ad955765acc.jpg

1789-1790

This engraving depicts a revolutionary club as a circus act complete with dancing dogs and clowns, all celebrating "the law and the King." This image might have been visual propaganda on behalf of clubs, suggesting that they could bring different…
http://chnm.gmu.edu/revolution/files/original/9357d205db12349dd0e9a471686e1997.jpg

1819

From an English periodical of 1819, this antirevolutionary print portrays the sans–culottes as drunkards anxious to destroy by fire, gallows, and guillotine rather than to work for their own good. The image satirizes the idea of sans–culotte…
http://chnm.gmu.edu/revolution/files/original/b73b28c6dd51daeb66adff77c14b6f73.jpg

1793

Yet another English image promising that the death of Louis will bring havoc on the Revolution. This engraving indicates that the very blood of the King requires vengeance.
http://chnm.gmu.edu/revolution/files/original/4554c43819436bdb7f60ddf6882f4d00.jpg

1794

Here Robespierre’s death is depicted as divine retribution, as in a classical myth. Numerous heads, presumably of those who had perished at the guillotine, watch two male figures (bearing a strong resemblance to Hercules, who had been an early symbol…
http://chnm.gmu.edu/revolution/files/original/c1d9493a254f39c64cbe6729dddb0de7.jpg

1791-1795

The guillotine was first introduced as a humane, efficient, and above all modern form of execution in April 1792; during the radical phase of the Republic, it would become the symbol of the Terror. This engraving suggests the guillotine is providing…
http://chnm.gmu.edu/revolution/files/original/8ff39dc4e18a4a6d1bcbfc8ba8f4e967.jpg

1792

In a woodcut that appeared in Révolutions de Paris, the guillotine is used before a crowd of soldiers and patriotic onlookers, to execute nine "émigrés" who had tried to fell France and thus demonstrated themselves to be traitors.
Output Formats

atom, dcmes-xml, json, omeka-xml, rss2