Browse Items (1079 total)

http://chnm.gmu.edu/revolution/files/original/febbe65012049efe961e90e7cf3c2130.jpg

1793-1794

To contemporaries who subscribed to the Enlightenment, the term "reason" was to be contrasted to superstition. Even though Christians, too, believed in reason, they also wanted to make room for the possibility of God’s intervention, particularly in…
http://chnm.gmu.edu/revolution/files/original/3f46b0192de1c836c2e098c3a3a59d91.jpg

1793-1794

Using a woman to represent "Fraternity" seems ironic at best, although theoretically the term might mean the community of humanity. In actuality, when the revolutionaries considered "community," they certainly thought of men far more than women. The…
http://chnm.gmu.edu/revolution/files/original/bcd70041216c1d07cc8c7c4361bc8c40.jpg

1793-1794

At the beginning of the Revolution, the term "equality" meant an end to the legal differences that had characterized the Old Regime. For example, all individuals would be subject to the same regimen of taxation. Over the course of the decade,…
http://chnm.gmu.edu/revolution/files/original/3acfbc241c7ed8faad1081b47aeca35f.jpg

1793-1794

Even before the Revolution, the French had used a woman in a toga to symbolize liberty. By July 1789 this symbol had become quite common and would only grow more familiar over the revolutionary decade. Generally the female Liberty was a poised…
http://chnm.gmu.edu/revolution/files/original/27093a89bb609db4aa6fe7b25b4f20f7.jpg

1789

More common than clashes by workers against employers were protests over the rising price of bread. This color drawing depicts events at the City Hall of Strasbourg on 21 July 1789. Notice that the protesters are tearing up the roof and throwing the…
http://chnm.gmu.edu/revolution/files/original/4af01ae8c04e973031a571d9626b21b6.jpg

1792

Of particular interest in this caricature of refractory clergy here are the long noses, traditionally used to caricature Jews, that suggest the refractory clergy were not of the people. This image shows resistant clergy marching in their last…
http://chnm.gmu.edu/revolution/files/original/2720d3de4a0bba4d7589a2b171eb0e88.jpg

1805

The second image, a color drawing by the popular English caricaturist James Gillray in 1805 during the Empire, takes a different view of the Directory, suggesting that it is a time of moral decadence and self–aggrandizement. It depicts Paul Barras,…
http://chnm.gmu.edu/revolution/files/original/b3c17e6d5040084f7253007b539adbf4.jpg

1805-1815

Some months after the execution of her husband, Marie Antoinette found herself in the dock of the public prosecutor, Antoine Quentin Fouquier–Tinville. The intervention of the radical journalist Jacques–René Hébert had pushed her case to the top, and…
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