The extremely respectful view of sans–culotte militancy is evident in this image, engraved by the revolutionary sculptor Berthault and based on a painting by Fragonard, the son of the famous old regime painter. Imitating an old master’s interior…
Gustave Le Bon (1841–1931) disparaged the Revolution and the revolutionary legacy because he distrusted the common person, particularly when making collective decisions. His analysis of revolutionary crowds pictured them as primitive animals devoid…
Even before the Revolution, the French had used a woman in a toga to symbolize liberty. By July 1789 this symbol had become quite common and would only grow more familiar over the revolutionary decade. Generally the female Liberty was a poised…
With the founding of the Republic, the forty–eight sectional assemblies of Paris declared themselves in "permanent session" so they could exercise constant vigilance over the Convention and over political events in general. In addition to their local…
The "Champ de Mars Massacre" inaugurated a brief period of political repression directed at the popular movement and dramatized the growing tension between the claims of political activism and the desire of moderates to bring the Revolution to an…
This engraving depicts a revolutionary club as a circus act complete with dancing dogs and clowns, all celebrating "the law and the King." This image might have been visual propaganda on behalf of clubs, suggesting that they could bring different…
Just after the Festival of 14 July, leaders of some of the more radical Parisian sections drafted, on behalf of the French nation, a petition calling on the Legislative Assembly to take emergency measures to ensure "the salvation of the people" by…
In the passage below, a police observer of a Cordelier Club meeting notes the ongoing concern of the participants to identify and then to denounce "conspiracies" against the republic, even when the conspitators had been very recently integral to the…
In the view of the most radical commentators, such as those writing for the newspaper Révolutions de Paris, the Revolution had to be the work of more than just the deputies of the National Assembly; it had to be an effort of the common people. To…
Critics of popular action first mastered the art of searing attacks and here sharpen their propaganda skills against this activist worker, who appears to be walking off with his "loot" after the locks have been broken.
