Browse Items (67 total)

http://chnm.gmu.edu/revolution/files/original/adad7ab41e3dc8eb73b0acb0ce9ada7b.jpg

1789

This allegorical image represents the sentiments of social unity that the National Assembly sought to promote through the Festival of the Federation of 14 July 1790. This festival, though technically but a military parade of units from around the…
http://chnm.gmu.edu/revolution/files/original/a35ba1bfe676a569026b16e9d1503568.jpg

1789

This print depicts the Third Estate—represented by the peasant at the rear of the chariot, the worker leading the horse, and the merchant driving—delivering to the National Assembly a petition listing "abuses" to be remedied.
http://chnm.gmu.edu/revolution/files/original/f699cdd759d5f8cbb9ecbadc226fe2ea.jpg

1789

This image shows the three orders unified by religion. The Virgin standing at right in a cloud holds a cross from which rays emanate to three figures representing the clergy, nobility, and Third Estate. A hooded figure with a serpent’s tail,…
http://chnm.gmu.edu/revolution/files/original/2b36352bcad6a16a7c3c853256634819.jpg

1789

This hand–colored engraving equates the taking of the Bastille with the rise of the Third Estate against the clergy and nobility. A commoner in a black hat sporting a tricolor cockade plays the bagpipe triumphantly over the fallen lion of the…
http://chnm.gmu.edu/revolution/files/original/d039992636a4aedb3bd1191cf4c72ccd.jpg

1789

Although 14 July 1790 was a high point in the aspiration for unity, the preparation for the Estates–General set the stage for later problems. In this image, representatives of each of the three orders depart together in a cart for the 1789 meeting of…
http://chnm.gmu.edu/revolution/files/original/f1bb9ead7be7764eeb118696e647f04a.jpg

1789-1790

This image uses the classical figures of an angel and a cherub to celebrate the achievements of Louis XVI on the base of a statue. The words state that he has destroyed the "aristocracy" and established the liberty of the French people. The monarch’s…
http://chnm.gmu.edu/revolution/files/original/0749876d1ae895eb899e07b20407545e.jpg

1789

This reproduction of a painting by George Morland (1789) has lurid colors and shows the sale of a slave. The artist suggests that friends or relatives are being separated, as one of the slaves is being forcibly restrained as the other slave is being…

1789

The petitions from rural communities decried the abuse of seigneurial dues that peasants owed to lords in exchange for which they were supposed to receive protection and supervision. But by 1789, as these excerpts demonstrate, peasants had come to…

1789

The cahiers de doléances ["lists of grievances"] drawn up by each assembly in choosing deputies to the Estates–General are the best available source of the thoughts of the French population on the eve of the Revolution. This excerpt from a parish…

1789

Emmanuel–Joseph Sieyès was born at Fréjus, 3 May 1748. He was educated at a Jesuit school, became a licentiate of the canon law, and was appointed vicar–general by the bishop of Chartres. He first came into prominence with the publication of his…
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