In response to the "Padua Circular," King Louis’s brother, the Count of Artois, a leader of the émigré nobles, expressed his support for Emperor Leopold II of Austria. Leopold, in conjunction with Prussian King Frederick–William III, then issued this…
Fears about Marie Antoinette’s intentions and actions were not baseless. Although inexperienced in the new style of politics, Marie Antoinette did see a need for help from abroad if the monarchy was to stop or reverse the course of the Revolution,…
Having received news of the alliance of Prussia and Austria with émigré French nobles against the Revolution, the Legislative Assembly considered itself threatened by invasion. Fearing that the King, despite his public acceptance of the constitution,…
Of particular interest in this caricature of refractory clergy here are the long noses, traditionally used to caricature Jews, that suggest the refractory clergy were not of the people. This image shows resistant clergy marching in their last…
A Jacobin club in Besançon in the Franche–Comté on the eastern borders of France sent this report to the Jacobin Club of Paris on 8 January 1792. The club sees the continuing presence of those who did not take the clerical oath to the new regime…
In this color print from 1793, the height of the Terror, two circular drawings appear next to each other, contrasting two types of liberty. English liberty exists, as the figure suggests, but based on the Magna Carta, calm prevails. Representing…
In this English image, as the King’s head is about to fall into the executioner’s basket, bats out of Hell emerge, symbolizing the Revolution. At the same time, God’s favor seems to fall on Louis through a shaft of light coming from heaven. From the…
Yet another English image promising that the death of Louis will bring havoc on the Revolution. This engraving indicates that the very blood of the King requires vengeance.
Not shown in this or other scenes here is the fact that between the King’s two visits he ate a last meal. At this time he was denied, as was custom, a knife to avoid suicide. Louis was angered that his jailers thought he was so sinful as to take his…
This composition of the scene, in which a helpless Louis seems to be looking upward to heaven with his confessor, communicates humility. The executioners are relatively passive, leaving the King and confessor center stage. This reveals that in mortal…
