This account by British Private William Wheeler of the 51st Regiment gives a vivid account of the hand–to–hand fighting in Portugal. Wheeler’s letters home were saved by the family and form the basis of their publication in 1949.
In this excerpt, Rainsford continues to exhalt the qualities of L’Ouverture while criticizing French behavior in the attempted reconquest of the island under Napoleon.
The trial of the Queen is here depicted in a tinted engraving by Jean Duplessi–Bertaux as part of his series of Historical Scenes of the French Revolution. Although it refers to her as "Marie Antoinette, the Austrian," the etching portrays her…
Nobles had been used to riding in carriages or on horseback. Now, so radicals hoped, they could no longer afford to do so either financially or politically. The imagined response of this social elite reveals clearly to their attackers the…
Some months after the execution of her husband, Marie Antoinette found herself in the dock of the public prosecutor, Antoine Quentin Fouquier–Tinville. The intervention of the radical journalist Jacques–René Hébert had pushed her case to the top, and…
The second image, a color drawing by the popular English caricaturist James Gillray in 1805 during the Empire, takes a different view of the Directory, suggesting that it is a time of moral decadence and self–aggrandizement. It depicts Paul Barras,…
A sarcastic treatment from England of French manners that contrasts the weakness of the old regime with revolutionary arrogance. The engraver also seems to be pointing toward two entirely different views of masculinity.
This engraving uses classical figures to depict allegorically an alliance of Prussia, Britain, and Austria, represented as "Tyranny, Hypocrisy, and Pride," who seek to divide the map of France among themselves, while the French Nation prepares to…
