Of particular interest in this caricature of refractory clergy here are the long noses, traditionally used to caricature Jews, that suggest the refractory clergy were not of the people. This image shows resistant clergy marching in their last…
Cartoons attacked the refractory clergy. Here, fat, overfed, and underworked clergy are squeezed down to an appropriate size. As elsewhere, visual images mocked the clergy by depicting them as subject to the threats and physical attacks of others.
This aria from the Gretry opera, Richard the Lion–Hearted, was adopted by royalists during the early years of the Revolution. The song’s accusation that the king had been abandoned by all but his most devoted followers made it a suitable…
This image ridicules monks for contributing nothing to society, either economically or demographically, by depicting a group of them being taken from the monastery and drafted into the army, where they hope "to become good citizens" as was expected…
Although the revolutionaries long regarded the Pope as an enemy, their anger was stoked significantly by the papal decision to decree as unacceptable the Civil Constitution of the Clergy. This decision, hardly unexpected given the way that the…
Fears about Marie Antoinette’s intentions and actions were not baseless. Although inexperienced in the new style of politics, Marie Antoinette did see a need for help from abroad if the monarchy was to stop or reverse the course of the Revolution,…
