Browse Items (161 total)

1815

The French novelist and essayist François–René Chateaubriand (1768–1848) was a royalist who for a time admired Napoleon. Like Burke, he denounced the revolutionary reliance on reason and advocated a return to Christian principles. Although…
http://chnm.gmu.edu/revolution/files/original/85ecef51b01fc6db3f9ad544449d96bf.jpg

1815

An idealized portrait of Marie Antoinette at the moment of death. Unlike the pale, aged woman the contemporaries observed, this later print memorialized a beautiful, absolutely pure, woman. While in life she had been assailed as a lesbian, a…

August 1, 1806

To increase his control over the German states and definitively destroy the Holy Roman Empire, Napoleon set up the Confederation of the Rhine, grouping together a large number of formerly indepedent states, and forced the Emperor to abdicate his…
http://chnm.gmu.edu/revolution/files/original/4aa347e936ab7e8e7ffea50b37232af5.jpg

1806

The trial of the Queen is here depicted in a tinted engraving by Jean Duplessi–Bertaux as part of his series of Historical Scenes of the French Revolution. Although it refers to her as "Marie Antoinette, the Austrian," the etching portrays her…
http://chnm.gmu.edu/revolution/files/original/b3c17e6d5040084f7253007b539adbf4.jpg

1805-1815

Some months after the execution of her husband, Marie Antoinette found herself in the dock of the public prosecutor, Antoine Quentin Fouquier–Tinville. The intervention of the radical journalist Jacques–René Hébert had pushed her case to the top, and…

December 1804

When he made himself emperor, Napoleon clearly rejected the republican form of government. Here he tries to claim that hereditary government is necessary in a large state. The presence of the pope at his coronation seemed to confer legitimacy on the…
http://chnm.gmu.edu/revolution/files/original/34865e90fcc71278b77615ae0a78ba6d.jpg

1804-00-00

In this engraving, Roman and contemporary themes are combined to glorify the new emperor. The absence of any clear representation of revolutionary liberty shows Napoleon moving away from the events of the preceding decade.
http://chnm.gmu.edu/revolution/files/original/2848b88095bbe99f9bb8f70ef606a90b.jpg

1802

From Berthault’s series of great moments in the Revolution, this engraving presents a version of events on 6 October 1789 favorable to the King. Reminiscent of orderly ceremonial royal appearances, this image suggests that the outcome stemmed from…
http://chnm.gmu.edu/revolution/files/original/884047aa5f2785e30e0497bb9fb045cd.jpg

1802

Following his arrest, Louis and his family are returned to Paris. Large, silent crowds looked on disapprovingly.
http://chnm.gmu.edu/revolution/files/original/c4b97b44d3384c33fd9611518a134123.jpg

1802

The engraving celebrates the peace treaties of 1801 and 1802. The lack of perspective in this image reflects the vision that Napoleon wanted the French to have when they thought about his actions. Making peace proved to be one of Napoleon’s more…
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