Similar to the two engravings of trees, this engraving contrasts English order with French anarchy. On the left, a lion (representing England) sits at the foot of a chiseled rock, part of which is labeled "Unanimity." A crown appears over the rock; a…
These painted engravings ridicule the unrest wrought by French revolutionaries by contrasting French subversion with British stability. The "British Liberty Tree" (depicted in the preceding image) is assigned to the mock Latin genus of…
These painted engravings ridicule the unrest wrought by French revolutionaries by contrasting French subversion with British stability. The "British Liberty Tree" in this image is assigned to the mock Latin genus of "Stabilissimus," while the more…
One of the most widely–read authors of the late nineteenth century, Anatole France (1844–1924) saw the humanity of even the most notorious revolutionary figures such as Jean–Paul Marat. Yet, dedicated to the principles of 1789, France preferred the…
Victor Hugo (1802–85) was an ardent republican and defender of the revolutionary legacy who went into exile during the Second Empire (1852–70). He lived long enough to become an icon of the Third Republic. He portrayed the democratic aspects of the…
Charles Dickens’s (1812–70) novels generally appeared in serial form in popular newspapers. Usually he took his subjects and characters from contemporary English society, but in this novel he created one of the most enduring and pessimistic…
From an English periodical of 1819, this antirevolutionary print portrays the sans–culottes as drunkards anxious to destroy by fire, gallows, and guillotine rather than to work for their own good. The image satirizes the idea of sans–culotte…
Unfortunately the only first-hand account of the meetings of the women’s club comes from notes taken by Pierre–Joseph–Alexis Roussel, published in a volume of memoirs in 1802. His account makes fun of the women’s club for discussing the virtues of…
The extremely respectful view of sans–culotte militancy is evident in this image, engraved by the revolutionary sculptor Berthault and based on a painting by Fragonard, the son of the famous old regime painter. Imitating an old master’s interior…
With the founding of the Republic, the forty–eight sectional assemblies of Paris declared themselves in "permanent session" so they could exercise constant vigilance over the Convention and over political events in general. In addition to their local…
