Browse Items (121 total)

http://chnm.gmu.edu/revolution/files/original/79753331c9430c6b7bfce009609cfb07.jpg

1799

This engraving, based on a color portrait by Beys, depicts the death of Robespierre on the guillotine. The executioners wear not the traditional hangman’s hood but red bonnets representing liberty. This judgment notes Robespierre’s failure to the…
http://chnm.gmu.edu/revolution/files/original/15473831f329c53fbc518dde668e526e.jpg

1793

As 80,000 crowded into the square to watch the execution of Louis XVI, they cannot have been unaware that the guillotine sat where a statue of Louis XV had been. Here Sanson, the executioner, snatches the detached head of Louis XVI to show to the…
http://chnm.gmu.edu/revolution/files/original/b9c021e885587b4d92183e9aa3fa0ba9.jpg

1799

This painting of the period by Gillaume Guillon Lethière shows the emotion caused by the prospect of loved ones departing for the army. Women had to part with their families in order to support the nation in its time of need. Notice the female statue…
http://chnm.gmu.edu/revolution/files/original/e7f9b59088f9cc30f5b652e7b2e9a653.jpg

1793

This cartoon by the popular British caricaturist James Gillray depicts the British politician Charles James Fox as a sans–culotte. Wearing a cockade in his wig and a bandage on his forehead, the unshaven Fox raises his bloody left hand as he lifts…
http://chnm.gmu.edu/revolution/files/original/db61fb947cfdf2b8b6e58c068ba5a866.jpg

This sword, an actual artifact of the revolutionary wars, shows how strongly French officers and soldiers believed themselves to be fighting for the defense of liberty, which is represented by the woman holding the balance and by the Phrygian bonnet…
http://chnm.gmu.edu/revolution/files/original/1c8c640fedce6943f77cba71a456fe1b.jpg

1877

This painting from 1877 shows in romantic style Robespierre dying in a large room, surrounded by soldiers and others. His shirt is bloodied and his left hand is on his chest; visible in the background is a tablet of the Declaration of Rights of Man…
http://chnm.gmu.edu/revolution/files/original/4f46c15ed89fd944c31ee4d86b9af080.jpg

1793-1794

After Marat’s death, his defenders glamorized him, forgetting both his physical deformities and his vitriolic calls for more and more heads. One common approach was to give him secular sainthood (a halo in this image) incongruous for someone with so…
http://chnm.gmu.edu/revolution/files/original/a35ba1bfe676a569026b16e9d1503568.jpg

1789

This print depicts the Third Estate—represented by the peasant at the rear of the chariot, the worker leading the horse, and the merchant driving—delivering to the National Assembly a petition listing "abuses" to be remedied.
http://chnm.gmu.edu/revolution/files/original/5b5b0dd848881939715b7deca6182a8d.jpg

1793

In this English image, as the King’s head is about to fall into the executioner’s basket, bats out of Hell emerge, symbolizing the Revolution. At the same time, God’s favor seems to fall on Louis through a shaft of light coming from heaven. From the…
http://chnm.gmu.edu/revolution/files/original/62becf2b04e5cb18587b880826d98bb4.jpg

1793

Female revolutionary figures stood for all kinds of qualities and virtues, in this case, "Truth." Women figures appeared so prominently in paintings and engravings because French nouns for the qualities and virtues were usually feminine (Truth = La…
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