This image, also reproduced from the newspaper R*volutions de Paris, shows crowds massacring refractory clergy and prisoners. The panels depict the former convent of the Carmelites (where 163 were killed) and the prison known as the Force, which had…
Yet another image from the newspaper R*volutions de Paris shows crowds massacring refractory clergy and prisoners. These panels reveal similar occurrences at the police prisons of the Chatelet and the Bic*tre, where altogether an estimated 800 were…
Even though popular action had unseated the Legislative Assembly and replaced it with the Convention, the elections that followed had not satisfied the radicals of Paris and their artisanal followers. From 31 May to 2 June 1793, these Parisians…
This engraving, like the preceeding image, portrays Marat’s assassination at the hands of Corday. In both images, Marat appears serene, a reminder that Marat’s supporters saw him as a Christ incarnated on behalf of the Revolution.
In the fall of 1793, the radical journalist was confined to his bathtub by a paralyzing skin disease he had contracted while hiding from the police in the sewers. He nevertheless continued to pour out populist tracts and remained highly influential…
The extremely respectful view of sans–culotte militancy is evident in this image, engraved by the revolutionary sculptor Berthault and based on a painting by Fragonard, the son of the famous old regime painter. Imitating an old master’s interior…
On 6–7 December 1793, Jean–Baptiste Carrier, a deputy sent by the Convention to suppress the insurrection at Nantes, accepted, if he did not in fact welcome, a measure proposed by the local Revolutionary Tribunal to fill seven boats with an estimated…
Lyon’s rebellion against the central government in September 1793 had terrible repercussions that seemed only to worsen with the initiation of collective trials and immediate executions by firing squad. The one depicted here on 4 December 1793 took…
This Dutch engraving, based on a sketch by Berthault, shows Robespierre laid out on the table where his Committee of Public Safety did its work. It is the morning of 10 Thermidor and having been condemned to death by the Convention the night before,…
The image points out the destruction of the nobility, depicting the arrival in Hell of a "marquis" and several other "aristocrats," described in the legend as "conspirators" and "traitors."
