One of the most widely–read authors of the late nineteenth century, Anatole France (1844–1924) saw the humanity of even the most notorious revolutionary figures such as Jean–Paul Marat. Yet, dedicated to the principles of 1789, France preferred the…
Sun Yat–Sen (1866–1925) was a Chinese doctor who led the revolution against the Qing dynasty in 1911. Educated in Hawaii and Japan, he tried to compare Western concepts to Chinese conditions. Although his republic proved relatively short–lived, it…
Marx’s lifelong collaborator, Frederick Engels (1820–95), devoted himself to popularizing the ideas he had developed with Marx. In 1880 he published this pamphlet in French in order to explain the main principles of communism. In this excerpt Engels…
This painting from 1877 shows in romantic style Robespierre dying in a large room, surrounded by soldiers and others. His shirt is bloodied and his left hand is on his chest; visible in the background is a tablet of the Declaration of Rights of Man…
Victor Hugo (1802–85) was an ardent republican and defender of the revolutionary legacy who went into exile during the Second Empire (1852–70). He lived long enough to become an icon of the Third Republic. He portrayed the democratic aspects of the…
Charles Dickens’s (1812–70) novels generally appeared in serial form in popular newspapers. Usually he took his subjects and characters from contemporary English society, but in this novel he created one of the most enduring and pessimistic…
The German philosopher and founder of international communism, Karl Marx (1818–83), wrote on many occasions about the French Revolution, which he considered the first stage in an eventual worldwide proletarian revolution. In this relatively early…
Novelist Honoré de Balzac (1799–1850) was a giant of nineteenth–century European literature. In his multivolume The Human Comedy, he investigated the general desire for social advancement in the post–revolutionary world. Although generally supportive…
From an English periodical of 1819, this antirevolutionary print portrays the sans–culottes as drunkards anxious to destroy by fire, gallows, and guillotine rather than to work for their own good. The image satirizes the idea of sans–culotte…
