<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://revolution.chnm.org/items/browse?tags=War&amp;sort_field=Dublin+Core%2CTitle&amp;sort_dir=a&amp;page=2&amp;output=omeka-xml" accessDate="2026-06-09T16:57:03-04:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>2</pageNumber>
      <perPage>10</perPage>
      <totalResults>65</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="353" public="1" featured="0">
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
          <elementTextContainer>
            <elementText elementTextId="4027">
              <text>&lt;p&gt;In the year 1806, I was drafted with many of my comrades into military service was assigned to the regiment of Romig, which afterward was given the name of Franquemont and of Number 4 and which was in the Ludwigsburg garrison. In the fall I traveled with the regiment to Prussia in the campaign which Emperor Napoleon with the princes who were then his allies, was conducting against Prussia. In the fall we marched through Ellwangen, Nuremberg, Ansbach, Bayreuth, Plauen, Dresden in Saxony, then through Bunzlau into Grossglogau in Silesia, where we remained in garrison for about three weeks. &lt;/p&gt;&lt;p&gt; During a period from January to March, I had to go with half of the regiment to accompany several convoys of captured Prussians from Glogau back through Crossen, Frankfurt-on-the-Oder, and Dresden, where we were relieved. We were given good quarters everywhere, which kept me always healthy and cheerful in spite of the continuous marching. Furthermore, I was only nineteen years old, a fact which caused me frequently to participate in thoughtless and dangerous enterprises. . . . &lt;/p&gt;&lt;p&gt; On this journey from Thorn to Colberg I saw a lake which lay in a forest by a monastery. In this lake were multitudes of frogs which were of a very beautiful bright blue color, and no soldier would quit until he had caught one of these beautiful frogs. Beyond this region we came to a little town in which the largest part of the inhabitants were Jews. The same day we had had to walk several miles through swamps and snow water up to our knees; and, when quarters were taken there for the evening, I and four other men came into a Jew's house. The room was full of straw and goats. Since neither fire nor wood was to be had, we went into the next room to lodge, looked for the Jew, and took him into custody; for only by applying such stern treatment could we induce the wife to bring us food on her husband's account. &lt;/p&gt;&lt;p&gt; While we were besieging the fortress of Colberg, we were assigned a camp in a swampy place. Since wood and even straw were rarely to be had, the barracks were built from earth and sod, and ditches were dug around them. &lt;/p&gt;&lt;p&gt; As some sickness was arising because of the continual fog, I also became sick and had to go to the hospital in the fortress of Stettin, which is also a fortress on the sea. When I arrived with several from the regiment, we were placed three bunks high under the roof in the hospital. Here twelve to fifteen of the men about me died every day, which made me sick to my stomach and would have caused my death in the end if I and four comrades had not reported ourselves as being well on the second day and escaped. This hospital and three others, according to rumor, had six thousand sick people; and that was the reason also why everyone with an appetite had to suffer great hunger, which was one of the things that moved me to leave. The third day we five men were allowed to go, and we traveled without delay to our regiment. &lt;/p&gt;&lt;p&gt; When we five men came again without delay to the fortress of Colberg, we had the honor of enduring the siege in good health for another three weeks. Pentecost Night is especially fixed in my memory, since the fortress was stormed then. &lt;/p&gt;&lt;p&gt; When we had to leave camp after midnight, all the regiments marched forward through the swamp; and finally, when light firing began upon the outposts, we were commanded to attack by wading through the rampart ditches and to scramble up the outworks by chopping and shoveling. When I stood in the ditch, each first soldier had to pull up the next one with his rifle. The ramparts were of sand, and everyone frequently fell back again because of the attack of the enemy, or just because of the sliding sand; yet in that place huge cannonballs flew by above us, thundering so violently that we would have believed the earth would burst to pieces. When everyone was almost on top of the earthwork, the Prussians were slaughtered with great vigor, and the rest took flight into the gate. Then we, too, wanted to gain possession of the gateway in order to enter the city, but at this critical time many of these Prussians were shot along with our men by small and large guns, and the gate was closed. &lt;/p&gt;&lt;p&gt; Since all sorts of shells and rockets broke out of the fortress like a cloudburst, we had to take to flight. Those who meanwhile were scrambling up the outworks had to jump from the fortress into the moat along with their prisoners, and all the rest had to do likewise. During this retreat, many fell on bayonets, many drowned, and many of us were also brought into the fortress as prisoners and sent away to Danzig by sea. &lt;/p&gt;&lt;p&gt; When we reached camp, we saw many who had lost their helmet, rifle, saber, knapsack, etc. Because of various falls and pains, many looked for wounds and had none; many, however, did not become aware of the wounds which they had until they reached camp. &lt;/p&gt;&lt;p&gt; In this camp there were Poles, Westphalians, French, and, as mentioned before, only two regiments of us from Württemberg. One morning the Prussians surprised the Polish camp from the sea with their ships, as had happened before at Easter. The cannon fire on the Poles was so heavy that they could not withdraw fast enough. Their cannonballs also traveled more than half again as far toward our camp as our balls did across the water, since the surrounding swamps were frozen and the balls could roll along on the ice so fast that one ball often took off the feet and legs of ten or twelve men, frequently both feet of the same man. During this blockade the Prussians frequently made attacks, although every time with great losses. &lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12054">
              <text>1806-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="4023">
                <text>Marc Raeff, ed., The Diary of a Napoleonic Foot Soldier: Jakob Walter (New York: Doubleday, 1991), pp. 3, 10-13.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4024">
                <text>The “French” armies included units from many allied states. Excerpted below is the memoir of an ordinary foot soldier in Napoleon’s army. Jakob Walter came from Württemburg, one of the medium-size German states allied with Napoleon. He fought against other German states, in this instance Prussia.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="12050">
                <text>515</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12051">
                <text>An Ordinary Soldier’s Account (1806)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="12052">
                <text>https://chnm.gmu.edu/revolution/d/515/</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12053">
                <text>1806</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="6">
        <name>Napoleon Bonaparte</name>
      </tag>
      <tag tagId="34">
        <name>Text</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="347" public="1" featured="0">
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
          <elementTextContainer>
            <elementText elementTextId="3993">
              <text>&lt;p&gt;No. 59. General Hospital, St. Jean de Luz. &lt;/p&gt;&lt;p&gt;21st. Nov. 1813. &lt;/p&gt;&lt;p&gt; On the top of the hill they had a reserve, these came forward and gave us a crack. Now a brisk fire was kept up on both sides, as I was in the act of pulling my trigger I received a wound in both legs, the ball glanced or scraped the skin just above the outside ankle of the left foot and passed through the gristle behind the ankle of the right just missing the bone, down I fell. I endeavoured to rise but found I could not stand and that my shoe was full of blood. “The Devil's luck to ye” said Ned Eagan, “For a fool, now can't ye be easey and lay quiet for a minute or so til we give them another charge, and send them in double quick over the hill.” At this moment Hooker came to me and said “I hope Bill you are not much hurt, take some of this rum.” “Arrah Tom” says Eagen “now you would be the best fellow alive and so you would if you would just be after letting me wet my trottle with a drop of the crature.” Hooker gave him his canteen saying “you are welcome Ned.” Ned wetted his “trottle,” gave Tom the canteen shouting “Och my jewels, then bad luck to me if one of ye don't get this ledden pill through ye, then you may say that old Eagan's son is the biggest liar in all Ireland.” So saying he put in the cartridge. Hooker was employed in empting some of the rum into my canteen, and Eagan was busy in sending down the charge, when down he came on top of us. They did not give him time to fulfill his promise, he was shot through the body and in a moment was a corpse. Hooker shook my hand saying, “Cover yourself behind Ned, I must set to work, can I do anything for you.” On leaving me he said “I know I shall not see this day out, as soon as you get intelligence of my fate write to my Mother.” &lt;/p&gt;&lt;p&gt; Now the battle raged with double fury, fresh troops poured up to reinforce each side and soon our men moved forward, but it was not many paces before our buglers sounded the retreat and the enemy advanced, but was soon driven back. My comrades this time nearly gained the top of the hill, but there they found the enemy had been reinforced, and was again obliged to retire. I soon became in rear of the enemy's line and exposed to the fire of our men. This was not of long duration, for ours drove them back to their old ground. I observed fresh troops pouring down to join the enemy, who again advanced and passed me some distance. Now the fire was very hot and our balls passed and dropped about like hail. A French soldier came and took what money I had in my pockets, and was in the act of taking my knapsack when our men cheered and charged. I caught fire at the noise and as soon as the enemy has passed me I put my hand on poor Ned's forelock, for my own was not loaded. I had not taken my eye off the fellow who had robbed me, I took a deadly aim at him and down he fell. I was so overjoyed at seeing the rascal fall, and so animated was the moment, at the thought of being released from so perilous a situation, that forgotting the danger I exposed myself to, I sat up with my cap on the muzzle of my forelock and cheered my comrades as they passed me. Hooker was in the throng, he smiled and said something to me as he rushed by, but I could not catch the words. Our Adjutant rode up to me and said “Corporal W___ I hope your wound is not severe, I shall remember your conduct, and recommend you for promotion.” &lt;/p&gt;&lt;p&gt; This time the hill was taken. I looked around me, the combatants had disappeared, nothing was to be seen now but the killed and wounded. I crawled to the fellow that had robbed me, got my own and more money in to the bargain, he was shot in the small of the back just under his knapsack. I had been long enough in this place so I managed to get down the hill to the hedge, here I found Dr. Fitzpatrick, got my wounds dressed. &lt;/p&gt;&lt;p&gt; While the action was in its hottest fury I was several times struck with admiration at the heroic bravery of the officers and noncommissioned officers of the enemy. I shall select one out of many instances of zeal and self devotion displayed by these brave soldiers. A young officer about twenty was in front of his men leading them on. The men were several times stopped by our fire yet this brave young fellow kept in their front, waving his sword, calling and intreating them to come on. At length he returned to his men and with the flat of his sword drove them or rather some of them on, but his men had lost all confidence. Finding he could not prevail on them to advance, he ran towards us some distance and halted, here he continued to wave his sword in hopes to inspire them with courage, when one of our men shot him through the body and he fell dead. &lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11264">
              <text>1813-11-21</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3989">
                <text>B. H. Liddell Hart, ed., The Letters of Private Wheeler (Boston: Houghton Mifflin Co., 1952), pp. 156-158</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3990">
                <text>This account by British Private William Wheeler of the 51st Regiment gives a vivid account of the hand–to–hand fighting in Portugal. Wheeler’s letters home were saved by the family and form the basis of their publication in 1949.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="11260">
                <text>521</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11261">
                <text>Another Firsthand View of the Fighting in Portugal</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="11262">
                <text>https://chnm.gmu.edu/revolution/d/521/</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11263">
                <text>November 21, 1813</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="5">
        <name>Counterrevolution</name>
      </tag>
      <tag tagId="32">
        <name>Europe in Revolution</name>
      </tag>
      <tag tagId="34">
        <name>Text</name>
      </tag>
      <tag tagId="33">
        <name>The US and Great Britain in Revolution</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="300" public="1" featured="0">
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
          <elementTextContainer>
            <elementText elementTextId="3714">
              <text>&lt;p&gt;Mlle. de Verneuil came out to meet the eyes of those I assembled, leaning upon the arm of the old white-haired priest. It was a profound emotion hidden in the depths of her heart that gave her to her lover's love; she was more beautiful now than on any bygone day, for such a serenity as painters love to give to martyrs' faces had set its seal upon her, and lent grandeur to her face.&lt;/p&gt; &lt;p&gt;She gave her hand to the Marquis, and together they went towards the altar, where they knelt. This marriage which was about to be solemnized two paces from the nuptial couch; the hastily erected altar, the crucifix, the vases, the chalice brought secretly by the priest, the fumes of incense floating beneath the cornices, which hitherto had only seen the steam of everyday meals, the priest, who had simply slipped a stole over his cassock, the altar candles in a dwelling-room,—all united to make a strange and touching scene which completes the picture of those days of sorrowful memory, when civil discord had overthrown the most sacred institutions. In those times religious ceremonies had all the charm of mysteries. Children were privately baptized in the rooms where their mothers still groaned. As of old, the Lord went in simplicity and poverty to console the dying. Young girls received the sacred wafer for the first time on the spot where they had been playing only the night before. The marriage of the Marquis and Mlle. de Verneuil was about to be solemnized, like so many other marriages, with an act forbidden by the new Legislation; but all these marriages, celebrated for the most part beneath the oak trees, were afterwards scrupulously sanctioned by law. The priest who thus preserved the ancient usages to the last was one of those men who are faithful to their principles in the height of the storm. His voice, guiltless of the oath required by the Republic, only breathed words of peace through the tempest. He did not stir up the fires of insurrection, as the Abbé Gudin had been wont to do; but he had devoted himself, like many others, to the dangerous task of fulfilling the duties of the priest towards such souls as remained faithful to the Catholic Church. In order to carry out his perilous mission successfully, he made use of all the pious artifices to which persecution compelled him to resort; so that the Marquis had only succeeded in finding him in one of those underground hiding-places which bear the name of "The Priest's Hole," even in our own day. The sight of his pale worn face inspired such devout feelings and respect in others, that it transformed the worldly aspect of the salon, and made it seem like a holy place. Everything was in readiness for the act that should bring misfortune and joy. In the deep silence before the ceremony began the priest asked for the name of the bride.&lt;/p&gt; &lt;p&gt;"Marie-Nathalie, daughter of Mlle. Blanche de Casteran, late Abbess of Notre-Dame de Seez and of Victor-Amedée, Duc de Verneuil."&lt;/p&gt; &lt;p&gt;"Born?"&lt;/p&gt; &lt;p&gt;"At la Chasterie, near Alençon."&lt;/p&gt; &lt;p&gt;"I should not have thought that Montauran would have been fool enough to marry her," the baron whispered to the count. "The natural daughter of a duke! Out upon it!"&lt;/p&gt; &lt;p&gt;"If she had been a king's daughter, he might have been excused," he Comte de Bauvan said, with a smile, "but I am not the one to blame him. I have a liking for the other, and I mean to lay siege to Charette's Filly now. There is not much coo about &lt;i&gt;her&lt;/i&gt;!"&lt;/p&gt; &lt;p&gt;Montauran's designations had been previously filled in, the lovers set their names to the document, and the names of the witnesses followed. The ceremony began, and all the while no one but Marie heard the sound of arms and the heavy even tread of the soldiers coming to relieve the Blues, who were, doubtless, on guard before St. Leonard's Church, where she herself had posted them. She shuddered and raised her eyes to the crucifix upon the altar.&lt;/p&gt; &lt;p&gt;"She is a saint!" murmured Francine.&lt;/p&gt; &lt;p&gt;"Give me saints of that sort, and I will turn deucedly devout," the Count said to himself, in a low voice.&lt;/p&gt; &lt;p&gt;When the priest put the usual question to Mlle. de Verneuil, her answering "Yes" came with a heavy sigh. She leaned over, and said in her husband's ear, "In a while you will know why I break the vow that I made never to marry you."&lt;/p&gt; &lt;p&gt;The rite was over, and those who had been present passed out into the room where dinner had been served when, just as the guests were sitting down, Jeremiah came in in a state of great terror. The unhappy bride rose at once and went up to him, followed by Francine. Then making one of the excuses that women can devise so readily, she begged the Marquis to do the honors of the feast by himself for a few moments; and hurried the servant away before he could commit any blunder, that might prove fatal.&lt;/p&gt; &lt;p&gt;"Oh! Francine," she said. "What a thing it is to feel oneself at the brink of death, and to be unable to say, 'I am dying!'"&lt;/p&gt; &lt;p&gt;Mlle. de Verneuil did not return. An excuse for her absence could be found in the ceremony that had just been concluded. When the meal came to an end, and the Marquis's anxiety had risen to its height, Marie came back in all the splendor of her bridal array. She looked calm and happy; while Francine, who returned with her bore traces of such profound terror on all her features that those assembled seemed to see in the faces of the two women some such strange picture as the eccentric brush of Salvator Rosa might have painted, representing Death and Life holding each other by the hand.&lt;/p&gt; &lt;p&gt;"Gentlemen," she said, addressing the priest, the Baron, and the Count, "you must be my guests tonight. Any attempt to leave Fougères would be too hazardous. I have given orders to this good girl here to conduct each of you to his own room. No resistance, I beg," she said, as the priest was about to speak; "I hope that you will not refuse to obey a bride on her wedding day."&lt;/p&gt; &lt;p&gt;An hour later she was alone with her lover in the bridal chamber that she had made so fair. They stood at last beside the fatal couch where so many hopes are blighted as by the tomb, where the chances of an awakening to a happy life are so uncertain, where love dies or comes into being according to the power of the character that is only finally tested there. Marie looked at the clock, and said to herself, "Six hours to live!"&lt;/p&gt; &lt;p&gt;"So I have been able to sleep!" she exclaimed when, as morning drew near, she woke with the shock of the sudden start that disturbs us when we have agreed with ourselves on the previous evening to wake at a certain hour. "Yes, I have slept," she repeated, as she saw by the candlelight that the hand on the dial of the clock pointed to the hour of two. She turned and gazed at the Marquis, who was sleeping with one hand beneath his head, as children do, while the other hand grasped that of his wife. He was half smiling, as though he had fallen asleep in the midst of a kiss. "Ah!" she murmured to herself, "he is slumbering like a child! But how could he feel mistrust of me, of me who owe him unspeakable happiness?"&lt;/p&gt; &lt;p&gt;She touched him gently, he awoke and smiled in earnest. He kissed the hand that he held, and gazed at the unhappy woman before him with such glowing eyes, that she could not endure the passionate light in them, and slowly drooped her heavy eyelids as if to shut out a spectacle fraught with peril for her. But while she thus veiled the growing warmth of her own eyes, she so provoked the desire to which she appeared to refuse herself, that if she had not had a profound dread to conceal, her husband might have reproached her with too much coquetry. They both raised their charming heads at the same moment, with a sign full of gratitude for the pleasures that they had experienced. But after a moment's survey of the exquisite picture presented by his wife's face, the Marquis, thinking that Marie's brow was overshadowed by some feeling of melancholy, said to her softly—"Why that shade of sadness, love?"&lt;/p&gt; &lt;p&gt;"Poor Alphonse, whither do you think I have brought you?" she asked, trembling.&lt;/p&gt; &lt;p&gt;"To happiness."&lt;/p&gt; &lt;p&gt;"Nay, to death."&lt;/p&gt; &lt;p&gt;Quivering with horror, she sprang out of bed, followed by the astonished Marquis. His wife led him to the window. A frenzied gesture escaped Marie as she drew back the curtains and pointed to a score of soldiers in the square. The fog had dispersed, and the white moonlight fell on their uniforms and muskets, on the imperturbable Corentin, who came and went like a jackal on the lookout for his prey, and on the commandant, who stood there motionless with folded arms, with his head thrown back, and his mouth pursed up, in an alert and uneasy attitude.&lt;/p&gt; &lt;p&gt;"Let them be, Marie, and come back."&lt;/p&gt; &lt;p&gt;"Why do you laugh, Alphonse? It was &lt;i&gt;I&lt;/i&gt; who posted them there!"&lt;/p&gt; &lt;p&gt;"You are dreaming."&lt;/p&gt; &lt;p&gt;"Nay."&lt;/p&gt; &lt;p&gt;For a moment they looked at each other, and the Marquis understood it all. He clasped her in his arms. "What of that?" he said; "I love you for ever."&lt;/p&gt; &lt;p&gt;"All is not lost, even now!" cried Marie. "Alphonse!" she said, after a pause, "there is yet hope!"&lt;/p&gt; &lt;p&gt;Just then they distinctly heard the stifled cry of a screech-owl, and Francine suddenly entered from the dressing-room.&lt;/p&gt; &lt;p&gt;"Pierre is there!" she cried, in almost frenzied joy.&lt;/p&gt; &lt;p&gt;The Marquise and Francine dressed Montauran in a Chouan's costume with the marvelous quickness that women alone possess. When Marie saw that her husband was busy loading the firearms that Francine had brought for him, she quickly slipped away, making a sign to her faithful Breton maid. Francine led the Marquis into the adjoining dressing-room. At the sight of a number of sheets securely knotted together, the young chief could appreciate the alert activity with which the Breton girl had done her work, as she sought to disappoint the watchfulness of the soldiers.&lt;/p&gt; &lt;p&gt;"I can never get through," the Marquis said, as he made a survey of the narrow embrasure of the round window. But the circular opening was just then blocked up by a great dark countenance; and the hoarse voice, that Francine knew so well, cried softly, "Quick, general! Those toads of Blues are on the move!"&lt;/p&gt; &lt;p&gt;"Oh! one more kiss," said a sweet and trembling voice.&lt;/p&gt; &lt;p&gt;Montauran's feet were set on the ladder by which he was to escape, but he had not yet extricated himself from the window, and felt himself clasped in a desperate embrace. He uttered a cry, for he saw that his wife had dressed herself in his clothes, and tried to hold her fast, but she tore herself hastily from his arms, and he was obliged to descend the ladder. In his hand he kept a scrap of some woven material, and a sudden gleam of moonlight showed him that it must be a strip of the waistcoat that he had worn on the previous evening.&lt;/p&gt; &lt;p&gt;"Halt! Fire by platoons!"&lt;/p&gt; &lt;p&gt;Hulot's words spoken broke the deep stillness that had something hideous about it, and snapped the charm that seemed hitherto to have prevailed over the place and the men in it. The sound of a salvo of balls at the base of the tower in the valley bottom followed hard upon the firing of the Blues upon the Promenade. Volley succeeded volley without interruption; the Republicans kept up their fire, mercilessly; but no sound was uttered by the victims—there was a horrible silence between each discharge.&lt;/p&gt; &lt;p&gt;Corentin, however, suspected some trap, for he had heard one of the men, whom he had pointed out to the commandant, drop from his lofty position at the top of the ladder.&lt;/p&gt; &lt;p&gt;"Not one of those animals makes a sound," he remarked to Hulot. "Our pair of lovers are quite capable of keeping us amused by some sort of trick, while they themselves are perhaps escaping in another direction."&lt;/p&gt; &lt;p&gt;The spy, in his eagerness to obtain light on this mystery, sent Galope-Chopine's child to find some torches. Hulot had caught the drift of Corentin's suspicions so aptly that the old soldier, who was preoccupied with the sounds of an obstinate encounter that was taking place before the guardhouse in St. Leonard's Gate, exclaimed, "True, there cannot be two of them," and rushed off in that direction.&lt;/p&gt; &lt;p&gt;"We have given him a leaden shower-bath, commandant," so Beau-Pied greeted his commandant, "but he has killed Gudin, and wounded two more men. Ah! the madman. He had broken through three lines of our fellows, and would have got away into the open country, if it had not been for the sentry at St. Leonard's Gate, who spitted him on his bayonet."&lt;/p&gt; &lt;p&gt;The commandant hurried into the guardhouse on hearing this piece of news, and saw a bloodstained body stretched out upon the camp-bed where it had just been laid. He went up to the man whom he believed to be the Marquis, raised the hat that covered his face, and dropped into a chair.&lt;/p&gt; &lt;p&gt;"I thought so," he cried vehemently, as he folded his arms. "&lt;i&gt;Sacre tonnerre&lt;/i&gt;! she had kept him too long."&lt;/p&gt; &lt;p&gt;The soldiers stood about, motionless. The commandant's movement had uncoiled a woman's long dark hair.&lt;/p&gt; &lt;p&gt;The silence was suddenly broken by the sounds of a crowd of armed men. Corentin came into the guardhouse, followed by four men, who had made a kind of stretcher of their muskets, upon which they were carrying Montauran, whose legs and arms had been broken by many gunshots. They laid the Marquis on the camp-bed beside his wife. He saw her, and found strength sufficient to take her hand in a convulsive clasp. The dying girl turned her head painfully, recognized her husband, and a sudden spasm shook her that was terrible to see, as she murmured in a nearly inaudible voice, "A day without a morrow! God has heard me indeed!"&lt;/p&gt; &lt;p&gt;"Commandant," said the Marquis, summoning all his strength to speak, while he still held Marie's hand in his, "I depend upon your loyalty to send word of my death to my young brother in London. Write to him, and tell him that if he would fain obey my last wishes, he will not bear arms against France; but he will never forsake the service of the King."&lt;/p&gt; &lt;p&gt;"It shall be done," said Hulot, pressing the hand of the dying man. "Take them to the hospital nearby," cried Corentin.&lt;/p&gt; &lt;p&gt;Hulot grasped the spy by the arm in such a sort that he left the marks of his nails in the flesh as he said to him—"Since your task here is ended, be off! And take a good look at the face of Commandant Hulot, so that you may never cross his path again, unless you have a mind to have his cutlass through your body."&lt;/p&gt; &lt;p&gt;The old soldier drew his saber as he spoke.&lt;/p&gt; &lt;p&gt;"There is another of your honest folk who will never make their fortunes," said Corentin to himself, when he was well away from the guardhouse.&lt;/p&gt; &lt;p&gt;The Marquis was still able to thank his enemy by a movement of the head, expressing a soldier's esteem for a generous foe.&lt;/p&gt; &lt;p&gt;In 1827 an old man, accompanied by his wife, was bargaining for cattle in the market of Fougères. Nobody took any special heed of him, though in his time he had killed more than a hundred men. No one even reminded him of his nickname of Marche-à-Terre. The person to whom valuable information concerning the actors in this drama is owing saw the man as he led a cow away; there was that look of homely simplicity about him which prompts the remark, "That is a very honest fellow!"&lt;/p&gt; &lt;p&gt;As for Cibot, otherwise called Pille-Miche, his end has been witnessed already. Perhaps Marche-à-Terre made a vain attempt to rescue his comrade from the scaffold, and was present in the market place of Alençon at the terrific riot that occurred during the famous trials of Rifoel, Bryond, and La Chanterie.&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12139">
              <text>1829-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3710">
                <text>Honoré de Balzac, &lt;i&gt;The Chouans&lt;/i&gt;, trans. Ellen Marriage (London: J. M. Dent, 1895), 362–70.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3711">
                <text>Novelist Honoré de Balzac (1799–1850) was a giant of nineteenth–century European literature. In his multivolume &lt;i&gt;The Human Comedy, &lt;/i&gt;he investigated the general desire for social advancement in the post–revolutionary world. Although generally supportive of the Revolution, Balzac could also portray those rebels in the Vendée known as Chouans in a sympathetic or even romantic light, as the last flowering of a doomed plant.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="12135">
                <text>584</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12136">
                <text>Balzac’s &lt;i&gt;The Chouans&lt;/i&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="12137">
                <text>https://chnm.gmu.edu/revolution/d/584/</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12138">
                <text>1829</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="5">
        <name>Counterrevolution</name>
      </tag>
      <tag tagId="15">
        <name>Popular Politics</name>
      </tag>
      <tag tagId="3">
        <name>Provinces</name>
      </tag>
      <tag tagId="21">
        <name>Public Opinion</name>
      </tag>
      <tag tagId="34">
        <name>Text</name>
      </tag>
      <tag tagId="22">
        <name>The Terror</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="198" public="1" featured="0">
    <fileContainer>
      <file fileId="221">
        <src>https://revolution.chnm.org/files/original/72317802c396d881f2812e4bc3d7ad35.jpg</src>
        <authentication>25302ff7141d51139e125cf7cde7793a</authentication>
      </file>
    </fileContainer>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="2606">
              <text>Engraving</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="2607">
              <text>20.5 x 14.5 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Title (French)</name>
          <description>The image's title, in French.</description>
          <elementTextContainer>
            <elementText elementTextId="2608">
              <text>Combat et Prise de Ratisbonne. 23 Avril 1809</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10065">
              <text>1838-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2594">
                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Division of Rare and Manuscript Collections, Cornell University&lt;/span&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2595">
                <text>The general peace agreement lasted a scant two years after the treaty of 1801. Although unable to seriously threaten an occupation of the British Isles, Napoleon was very successful on the continent, launching major wars into Austria, Prussia, Spain, and Italy until overreaching into Russia in 1812. The attack on Ratisbon was a key part of a struggle against Austria. Although defeated before, the Austrians bridled at this loss and renewed hostilities, but Napoleon prevailed again. Although this was not his most decisive victory, it represented the continuation of a long series of successful campaigns against his opponents.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2599">
                <text>Adam (engraver)</text>
              </elementText>
              <elementText elementTextId="2600">
                <text>Loeillot (drawing)</text>
              </elementText>
              <elementText elementTextId="2601">
                <text>Thevenin (painter)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2603">
                <text>All Rights Reserved</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2604">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2605">
                <text>French</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10062">
                <text>Battle for and Taking of Ratisbon, April 23, 1809</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="10063">
                <text>http://chnm.gmu.edu/revolution/d/193/</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10064">
                <text>1838</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="10066">
                <text>193</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11">
        <name>Image</name>
      </tag>
      <tag tagId="30">
        <name>Laws</name>
      </tag>
      <tag tagId="6">
        <name>Napoleon Bonaparte</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="265" public="1" featured="0">
    <fileContainer>
      <file fileId="298">
        <src>https://revolution.chnm.org/files/original/dd24b69a18731b7600a37905cfb6128b.jpg</src>
        <authentication>a39267a7dff012ac3ba6badf17ade736</authentication>
      </file>
    </fileContainer>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3471">
              <text>Engraving</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="3472">
              <text>16 x 49.5 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Title (English)</name>
          <description>The image's title, in English.</description>
          <elementTextContainer>
            <elementText elementTextId="3473">
              <text>Battle of Abukir</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Title (French)</name>
          <description>The image's title, in French.</description>
          <elementTextContainer>
            <elementText elementTextId="3474">
              <text>Combat d’Abou-qyr</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9995">
              <text>1802-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3458">
                <text>&lt;span&gt;Bibliothèque Nationale de France&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3459">
                <text>Napoleon’s eventual acquisition of political power may be attributed partly to his success in publicizing his Egyptian campaign as a great victory for France that spread the values of the Revolution. These engravings by the writer and artist Vivant Denon were published in 1802, four years after the campaign when Napoleon was already in power. This first image depicts The Battle of the Pyramids where, within three weeks of landing, Napoleon encountered the opposition and routed them with only thirty French soldiers killed.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3465">
                <text>Dominique-Vivant Denon (designer)</text>
              </elementText>
              <elementText elementTextId="3466">
                <text>Jean Duplessi-Bertaux (engraver)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3468">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3469">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3470">
                <text>French</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9992">
                <text>Battle of Aboukir</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="9993">
                <text>http://chnm.gmu.edu/revolution/d/139/|&lt;span&gt;Collection Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 142, Pièces 12454-12529, période : 1798-1799&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9994">
                <text>1802</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="9996">
                <text>139</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11">
        <name>Image</name>
      </tag>
      <tag tagId="6">
        <name>Napoleon Bonaparte</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="247" public="1" featured="0">
    <fileContainer>
      <file fileId="272">
        <src>https://revolution.chnm.org/files/original/23884b584bb950aa649eee94d8cfcbfa.jpg</src>
        <authentication>0c49de65464de095b755d096fc174c1e</authentication>
      </file>
    </fileContainer>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3237">
              <text>Etching</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="3238">
              <text>59 x 79 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Title (French)</name>
          <description>The image's title, in French.</description>
          <elementTextContainer>
            <elementText elementTextId="3239">
              <text>Bataille des Pyramides</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10055">
              <text>1829-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3223">
                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Museé de la Révolution Française, Vizille&lt;/span&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3224">
                <text>After a six–week journey from France, the army of some 38,000 arrived in Egypt. The French stormed and took Alexandria first, then moved up the Nile toward Cairo. On 21 July Napoleon’s troops confronted and decisively defeated the army of the Mamelukes, who exercised rule in Egypt on behalf of the Ottomans.&lt;span&gt;&lt;br /&gt;&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3231">
                <text>Dominique-Vivant Denon (designer)</text>
              </elementText>
              <elementText elementTextId="3232">
                <text>Georges Malbeste (etcher)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3234">
                <text>All Rights Reserved</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3235">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3236">
                <text>French</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10052">
                <text>Battle of the Pyramids</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="10053">
                <text>http://chnm.gmu.edu/revolution/d/537/|Denon, Dominique Vivant. &lt;em&gt;Voyage dans la basse en la haute Égypte, pendant les campagnes du général Bonaparte. &lt;/em&gt;Paris, 1829</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10054">
                <text>1829</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="10056">
                <text>537</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11">
        <name>Image</name>
      </tag>
      <tag tagId="6">
        <name>Napoleon Bonaparte</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="271" public="1" featured="0">
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
          <elementTextContainer>
            <elementText elementTextId="3540">
              <text>&lt;p&gt;Surely, Bonaparte is a thousand times more guilty than those barbarous conquerors who, ruling over barbarians, were by no means at odds with their age. Unlike them, he has chosen barbarism; he has preferred it. In the midst of enlightenment, he has sought to bring back the night. He has chosen to transform into greedy and bloodthirsty nomads a mild and polite people: his crime lies in this premeditated intention, in his obstinate effort to rob us of the heritage of all the enlightened generations who have preceded us on this earth. But why have we given him the right to conceive such project?&lt;/p&gt; &lt;p&gt;When he first arrived here, alone, out of poverty and obscurity, and until he was twenty-four, his greedy gaze wandering over the country around him, why did we show him a country in which any religious idea was the object of irony? When he listened to what was professed in our circles, why did serious thinkers tell him that man had no other motivation than his own interest? If he discovered easily enough that all the subtle interpretations through which, once the principle had been stated, we sought to elude its implications, were illusory, it was because his instinct was sound and his judgment quick. As I never attributed to him virtues which he did not possess, I am not obliged to deny him the faculties which he did. If in the heart of man there is nothing but interest, tyranny has only to frighten or to seduce him in order to dominate him. If in the heart of man there is nothing but self-interest, it is not true that morality—that is, elevation, nobility, resistance to injustice—is in accord with real self-interest. Properly understood, self-interest, in this case, given the certainty of death, is nothing but enjoyment, combined, since life can be more or less long, with that prudence which grants to enjoyment a certain duration. Finally, when in a France torn apart, tired of suffering and lamenting, and demanding only a ruler, he offered to become that ruler, why did the multitude hasten to solicit from him enslavement? When the crowd is pleased to show its love for servitude, it would be too much for it to expect its master to insist on giving it liberty instead.&lt;/p&gt; &lt;p&gt;I know, the nation slandered herself, or let herself be slandered by unfaithful interpreters. Despite the wretched affectation which mimicked incredulity, not all religious sentiment had been destroyed. Despite the fatuity which proclaimed itself selfish, egoism did not reign alone; and whatever acclamations may sound in the air, the national desire was not for servitude. But Bonaparte must have deceived himself over this, he whose reason was not enlightened by sentiment, whose soul was incapable of being exalted by a generous whim. He judged France by her own words, and the world by France as he imagined her to be. Because immediate usurpation was easy, he believed it could be durable, and once he became a usurper, he did all that usurpation condemns a usurper to do in our century.&lt;/p&gt; &lt;p&gt;It was necessary to stifle inside the country all intellectual life: he banished discussion and proscribed the freedom of the press.&lt;/p&gt; &lt;p&gt;The nation might have been stunned by that silence: he provided, extorted, or paid for acclamation which sounded like the national voice.&lt;/p&gt; &lt;p&gt;Had France remained at peace, her peaceful citizens, her idle warriors would have observed the despot, would have judged him, and would have communicated their judgments to him. Truth would have passed through the ranks of the people. Usurpation would not have long withstood the influence of truth. Thus Bonaparte was compelled to distract public attention by bellicose enterprises. War flung onto distant shores that part of the French nation that still had some real energy. It prompted the police harassment of the timid, whom it could not force abroad. It struck terror into men's hearts, and left there a certain hope that chance would take responsibility for their deliverance: a hope agreeable to fear and convenient to inertia. How many times have I heard men who were pressed to resist tyranny postponing this, during wartime till the coming of peace, and in peacetime until war commences!&lt;/p&gt; &lt;p&gt;I am right therefore in claiming that a usurper's sole resource is uninterrupted war. Some object: what if Bonaparte had been pacific? Had he been pacific, he would never have lasted twelve years. Peace would have re-established communication among the different countries of Europe. These communications would have restored to thought its means of expression. Works published abroad would have been smuggled into the country. The French would have seen that they did not enjoy the approval of the majority of Europe: their prestige could not have been sustained. Bonaparte perceived this truth so well that he broke with England in order to escape the British newspapers. Yet even this was not enough. While a single country remained free, Bonaparte was never safe. Commerce, active, adroit, invisible, indefatigable, capable of overcoming any distance and of insinuating itself through a thousand roundabout means, would sooner or later have reintroduced into the empire those enemies whom it was so important to exile from it. Hence the Continental blockade and the war with Russia.&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12109">
              <text>1814-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3536">
                <text>Benjamin Constant, &lt;i&gt;Political Writings&lt;/i&gt;, ed. and trans., Biancamaria Fontana (Cambridge: Cambridge University Press, 1988), 161–63. Reprinted with the permission of Cambridge University Press.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3537">
                <text>Benjamin Constant (1767–1830) spent the early years of the French Revolution in a post at a minor German court. He moved to Paris in 1795 and became active in French politics (and became the lover of de Staël). He published pamphlets attacking Napoleon but later reconciled to him during the Hundred Days. He then joined the opposition to the restored Bourbon monarchy. The following comes from the fourth edition of &lt;i&gt;The Spirit of Conquest and Usurpation&lt;/i&gt; (1814, thus before Constant’s reconciliation with Napoleon).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="12105">
                <text>676</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12106">
                <text>Benjamin Constant, Leader of French Liberal Opposition to Napoleon</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="12107">
                <text>https://chnm.gmu.edu/revolution/d/676/</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12108">
                <text>1814</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="32">
        <name>Europe in Revolution</name>
      </tag>
      <tag tagId="6">
        <name>Napoleon Bonaparte</name>
      </tag>
      <tag tagId="34">
        <name>Text</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="277" public="1" featured="0">
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
          <elementTextContainer>
            <elementText elementTextId="3576">
              <text>&lt;p&gt;It has been alleged that Bonaparte, when in Egypt, took part in the religious ceremonies and worship of the Mussulmans; but it cannot be said that he celebrated the festivals of the overflowing of the Nile and the anniversary of the Prophet. The Turks invited him to these merely as a spectator; and the presence of their new master was gratifying to the people. But he never committed the folly of ordering any solemnity. He neither learned nor repeated any prayer of the Koran, as many persons have asserted; neither did he advocate fatalism polygamy, or any other doctrine of the Koran. Bonaparte employed himself better than in discussing with the Imans the theology of the children of Ismael. The ceremonies, at which policy induced him to be present, were to him, and to all who accompanied him, mere matters of curiosity. He never set foot in a mosque; and only on one occasion, which I shall hereafter mention, dressed himself in the Mahometan costume. He attended the festivals to which the green turbans invited him. His religious tolerance was the natural consequence of his philosophic spirit. &lt;/p&gt;&lt;p&gt; Doubtless Bonaparte did, as he was bound to do, show respect for the religion of the country; and he found it necessary to act more like a Mussulman than a Catholic. A wise conqueror supports his triumphs by protecting and even elevating the religion of the conquered people. Bonaparte's principle was, as he himself has often told me, to look upon religions as the work of men, but to respect them everywhere as a powerful engine of government. However, I will not go so far as to say that he would not have changed his religion had the conquest of the East been the price of that change. All that he said about Mahomet, Islamism, and the Koran to the great men of the country he laughed at himself. He enjoyed the gratification of having all his fine sayings on the subject of religion translated into Arabic poetry, and repeated from mouth to mouth. This of course tended to conciliate the people. &lt;/p&gt;&lt;p&gt; I confess that Bonaparte frequently conversed with the chiefs of the Mussulman religion on the subject of his conversion; but only for the sake of amusement. The priests of the Koran, who would probably have been delighted to convert us, offered us the most ample concessions. But these conversations were merely started by way of entertainment, and never could have warranted a supposition of their leading to any serious result. If Bonaparte spoke as a Mussulman, it was merely in his character of a military and political chief in a Mussulman country. To do so was essential to his success, to the safety of his army, and, consequently, to his glory. In every country he would have drawn up proclamations and delivered addresses on the same principle. In India he would have been for Ali, at Thibet for the Dalai-lama, and in China for Confucius. &lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12204">
              <text>1889-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3572">
                <text>Memoirs of Napoleon Bonaparte by Louis Antoine Fauvelet de Bourrienne edited by R.W. Phipps. Vol. 1 (New York: Charles Scribner's Sons, 1889) p. 168-169.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3573">
                <text>Bonaparte’s secretary describes the religious practices, attitudes, and views of Bonaparte with regard to Islam. Accepting that the general curried favor with Muslims, he also hoped to deflect criticism of Bonaparte, claiming that what he did was good governance rather than bad Christianity, as his critics maintained.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="12200">
                <text>612</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12201">
                <text>Bonaparte and Islam</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="12202">
                <text>https://chnm.gmu.edu/revolution/d/612/</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12203">
                <text>1889</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="6">
        <name>Napoleon Bonaparte</name>
      </tag>
      <tag tagId="12">
        <name>Religion</name>
      </tag>
      <tag tagId="34">
        <name>Text</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="196" public="1" featured="0">
    <fileContainer>
      <file fileId="219">
        <src>https://revolution.chnm.org/files/original/1fa54bcafd9a5322cabcaa8ae6b666dd.jpg</src>
        <authentication>73ee891d4ec21ed5d9abc3b04ca31dd6</authentication>
      </file>
    </fileContainer>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="2574">
              <text>Engraving</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Title (French)</name>
          <description>The image's title, in French.</description>
          <elementTextContainer>
            <elementText elementTextId="2575">
              <text>&lt;span&gt;Bonaparte visitant l'hôpital de Jaffa&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10325">
              <text>1798-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2561">
                <text>&lt;span&gt;Bibliothèque Nationale de France&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2562">
                <text>This undated print shows Bonaparte visiting a hospital in Jaffa. Of classical proportions, this image is centered on Bonaparte, who appears to be bringing order to an otherwise disorderly and chaotic scene. However, Napoleon’s actual interest was limited, far less than this print would suggest. &lt;span&gt;In fact, he ordered that poison be given to men too ill with plague to be transported.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2569">
                <text>Jean-Antoine Gros (painter)</text>
              </elementText>
              <elementText elementTextId="2570">
                <text>Pigeot (engraver)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2571">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2572">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2573">
                <text>French</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10322">
                <text>Bonaparte Visiting the Hospital in Jaffa</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="10323">
                <text>http://chnm.gmu.edu/revolution/d/191/|&lt;span&gt;Collection Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France. Tome 142&lt;/em&gt;, Pièces 12454-12529, période : 1798-1799&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10324">
                <text>1798-00-00</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="10326">
                <text>191</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11">
        <name>Image</name>
      </tag>
      <tag tagId="6">
        <name>Napoleon Bonaparte</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="22" public="1" featured="0">
    <fileContainer>
      <file fileId="33">
        <src>https://revolution.chnm.org/files/original/da874f8ebcc847cab510d67a8bb0a5a7.jpg</src>
        <authentication>f2f5d8e336c53373fa16c8734fc43fc2</authentication>
      </file>
    </fileContainer>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="205">
              <text>Engraving</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="206">
              <text>27.7 x 20.7 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Title (French)</name>
          <description>The image's title, in French.</description>
          <elementTextContainer>
            <elementText elementTextId="207">
              <text>Bonaparte Premier Consul Remettant l'Epée dans le Fourreau après la Paix Générale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Sortable Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10260">
              <text>1802-00-00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="194">
                <text>&lt;span&gt;Bibliothèque Nationale de France&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="195">
                <text>The engraving celebrates the peace treaties of 1801 and 1802. The lack of perspective in this image reflects the vision that Napoleon wanted the French to have when they thought about his actions. Making peace proved to be one of Napoleon’s more popular decisions.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="201">
                <text>Alexis Chataignier</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="202">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="203">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="204">
                <text>French</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10257">
                <text>Bonaparte, First Consul, Putting Away His Sword after the General Peace</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="10258">
                <text>http://chnm.gmu.edu/revolution/d/10/|&lt;span&gt;Collection de Vinck. &lt;em&gt;Un siècle d'histoire de France par l'estampe, 1770-1870&lt;/em&gt;. Vol. 55 (pièces 7506-7590), Directoire, Consulat et Empire&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10259">
                <text>1802</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="10261">
                <text>10</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11">
        <name>Image</name>
      </tag>
      <tag tagId="17">
        <name>Monarchy</name>
      </tag>
      <tag tagId="6">
        <name>Napoleon Bonaparte</name>
      </tag>
      <tag tagId="21">
        <name>Public Opinion</name>
      </tag>
      <tag tagId="4">
        <name>War</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
