An idealized portrait of Marie Antoinette at the moment of death. Unlike the pale, aged woman the contemporaries observed, this later print memorialized a beautiful, absolutely pure, woman. While in life she had been assailed as a lesbian, a…
Fighting under the name Alexander Durov, Nadezhda Durova was the daughter of a Russian officer who dressed as a man to join the Russian army in 1806. Although it became known that she was a woman, she was allowed to serve until 1816 when she retired…
The memoirs of Claire, Countess of Rémusat provide a bird’s-eye view into the operation of Napoleon’s imperial household. Rémusat was a lady-in-waiting to Napoleon’s first wife Josephine. Napoleon wanted an elaborate court to underline his imperial…
The trial of the Queen is here depicted in a tinted engraving by Jean Duplessi–Bertaux as part of his series of Historical Scenes of the French Revolution. Although it refers to her as "Marie Antoinette, the Austrian," the etching portrays her…
Some months after the execution of her husband, Marie Antoinette found herself in the dock of the public prosecutor, Antoine Quentin Fouquier–Tinville. The intervention of the radical journalist Jacques–René Hébert had pushed her case to the top, and…
The second image, a color drawing by the popular English caricaturist James Gillray in 1805 during the Empire, takes a different view of the Directory, suggesting that it is a time of moral decadence and self–aggrandizement. It depicts Paul Barras,…
Unfortunately the only first-hand account of the meetings of the women’s club comes from notes taken by Pierre–Joseph–Alexis Roussel, published in a volume of memoirs in 1802. His account makes fun of the women’s club for discussing the virtues of…
In this review of a book by an author favorable to women’s education, Pipelet argues that republics should demonstrate a different attitude toward women than monarchies. She restates the arguments for more education and more opportunities for women…
The women in this image appear to be tempted to a life of prostitution. The female figure in the left foreground gestures toward the door but remains modestly attired. Once inside, the women are there for the pleasure of men and wear revealing or…
This painting of the period by Gillaume Guillon Lethière shows the emotion caused by the prospect of loved ones departing for the army. Women had to part with their families in order to support the nation in its time of need. Notice the female statue…
