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Jacques Roux, a former priest turned radical revolutionary, became the leading voice for a group known as the "Enraged," because they expressed constant anger at the unfairness shown toward the ordinary, poor people who made up the bulk of the…

After Marat’s death, his defenders glamorized him, forgetting both his physical deformities and his vitriolic calls for more and more heads. One common approach was to give him secular sainthood (a halo in this image) incongruous for someone with so…

A leading voice on behalf of greater popular participation and social policies that would benefit the poor, the journalist Jean–Paul Marat used his radical newspaper the Friend of the People to criticize moderation.

This engraving, like the preceeding image, portrays Marat’s assassination at the hands of Corday. In both images, Marat appears serene, a reminder that Marat’s supporters saw him as a Christ incarnated on behalf of the Revolution.

An arrested Corday is hustled out of the door, while the inquest begins. The expired Marat, ghastly pale, looks much more realistic than in the David rendition of his death. Also, the bath in the shape of a boot, which differs from most images, is…

To those who considered Marat insincere and dangerous in his unrelenting populism, the true martyr was Charlotte Corday, who had come to Paris from Caen—a city then serving as a base for the federalist insurgency—apparently with the express intent of…

In the fall of 1793, the radical journalist was confined to his bathtub by a paralyzing skin disease he had contracted while hiding from the police in the sewers. He nevertheless continued to pour out populist tracts and remained highly influential…

This famous depiction of Marat’s assassination (1793) is by the unofficial (and sometimes official) artist of the French Revolution, Jacques–Louis David, a leading exponent of the neoclassical style. Scholars have seen this vision as a revolutionary…

Many American cities met the emergency needs of an influx of white refugees who fled the uprising.