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                <text>The execution scene appeared on a plate. Even were this simply a souvenir that no one intended to actually eat from, this piece of china reveals fantastic revolutionary anger. Having a picture in crockery of an execution, even in a society where public executions were still occurring, still appears as bloodthirsty. But the use of this plate would seem to be a symbolic eating of one’s enemies. Is this a reverse communion, in which strength is drawn from the blood of the victim?</text>
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                <text>Even though popular action had unseated the Legislative Assembly and replaced it with the Convention, the elections that followed had not satisfied the radicals of Paris and their artisanal followers. From 31 May to 2 June 1793, these Parisians demonstrated outside the Convention and through intimidation forced the politicians inside to give up the Girondins who were being vilified. Although the winners of this event within the Convention—the Jacobins—managed to eliminate their political opposition, it made most of them quite uneasy to validate popular action of this sort. They were afraid it might be turned on them.</text>
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                <text>The Cap Français Fire</text>
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                <text>This engraving, like the preceeding image, portrays Marat’s assassination at the hands of Corday. In both images, Marat appears serene, a reminder that Marat’s supporters saw him as a Christ incarnated on behalf of the Revolution.</text>
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                <text>http://chnm.gmu.edu/revolution/d/108/|Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 131, Pièces 11489-11586, période : 1793</text>
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                <text>mfr 89.96</text>
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                <text>In the fall of 1793, the radical journalist was confined to his bathtub by a paralyzing skin disease he had contracted while hiding from the police in the sewers. He nevertheless continued to pour out populist tracts and remained highly influential in the sections. Whether out of personal obsession or prompting, Charlotte Corday sneaked into his home to silence this self–declared tribune of the people.</text>
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                <text>July 14, 1793</text>
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              <text>Intérieur d'un comité révolutionnaire sur le régime de la terreur</text>
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              <text>Inside a Revolutionary Committee during the Terror</text>
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              <text>années 1793 et 1794, ou années 2.e et 3.e de la République</text>
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                <text>The extremely respectful view of &lt;em&gt;sans–culotte&lt;/em&gt; militancy is evident in this image, engraved by the revolutionary sculptor Berthault and based on a painting by Fragonard, the son of the famous old regime painter. Imitating an old master’s interior scene, it shows a committee somberly meting out revolutionary justice.</text>
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                <text>Public Domain</text>
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                <text>Inside a Revolutionary Committee during the Reign of Terror</text>
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                <text>http://chnm.gmu.edu/revolution/d/110/|&lt;span&gt;Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 135, Pièces 11862-11947, période : 1794&lt;/span&gt;|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 48 (pièces 6461-6583), Ancien Régime et Révolution</text>
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          <name>Title (French)</name>
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              <text>Noyades dans la Loire, par ordre du féroce Carrier</text>
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              <text>les 6 et 7 décembre 1793, ou 5 et 6 frimaire an 2.eme de la République</text>
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                <text>&lt;span&gt;Bibliothèque Nationale de France&lt;/span&gt;</text>
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                <text>On 6–7 December 1793, Jean–Baptiste Carrier, a deputy sent by the Convention to suppress the insurrection at Nantes, accepted, if he did not in fact welcome, a measure proposed by the local Revolutionary Tribunal to fill seven boats with an estimated 200–300 prisoners (not all of them yet convicted) and sink them in the Loire River. Some accounts reported that the victims had their hands tied, but, if they managed to free them, troops in boats were there to hack off their arms. This gruesome massacre, which symbolized the excesses of the Terror for many, is depicted in this engraving by Berthault as one of the "great moments" of the Revolution.</text>
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                <text>Public Domain</text>
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                <text>Drowning in the Loire by Order of the Fierce Carrier</text>
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                <text>http://chnm.gmu.edu/revolution/d/112/|&lt;span&gt;de Vinck. &lt;em&gt;Un siècle d'histoire de France par l'estampe, 1770-1870&lt;/em&gt;. Vol. 47 (pièces 6357-6460), Ancien Régime et Révolution&lt;/span&gt;</text>
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        <name>Provinces</name>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <name>Physical Dimensions</name>
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        <element elementId="53">
          <name>Title (French)</name>
          <description>The image's title, in French.</description>
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            <elementText elementTextId="1572">
              <text>&lt;span&gt;Fusillades de Lyon, commandées par Collot-d'Herbois&lt;/span&gt;</text>
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            <elementText elementTextId="1573">
              <text>le 14 Décembre 1793, ou 24 Frimaire An 2.eme de la République</text>
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          <elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1557">
                <text>Lyon’s rebellion against the central government in September 1793 had terrible repercussions that seemed only to worsen with the initiation of collective trials and immediate executions by firing squad. The one depicted here on 4 December 1793 took the lives of 935 people, another 732 being guillotined over the next four months.</text>
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            <name>Creator</name>
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                <text>&lt;span&gt;Pierre-Philippe &lt;span&gt;Choffard (engraver)&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Jean &lt;span&gt;Duplessi-Bertaux (engraver)&lt;/span&gt;</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>French</text>
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                <text>Fusillades at Lyon, Ordered by Collot–D’Herbois</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="9973">
                <text>http://chnm.gmu.edu/revolution/d/113/|&lt;span&gt;Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 133, Pièces 11674-11753, période : 1793&lt;/span&gt;|&lt;span&gt;de Vinck. &lt;em&gt;Un siècle d'histoire de France par l'estampe, 1770-1870&lt;/em&gt;. Vol. 47 (pièces 6357-6460), Ancien Régime et Révolution&lt;/span&gt;</text>
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            <name>Date</name>
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                <text>1802</text>
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                <text>113</text>
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        <name>Image</name>
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        <name>Provinces</name>
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        <name>The Terror</name>
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      <file fileId="141">
        <src>https://revolution.chnm.org/files/original/128275148afdda3c5c2af4c7a0e0c7f8.jpg</src>
        <authentication>e0e0a806add01fc0b5bacce262e3fba4</authentication>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Engraving</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>40 x 53.5 cm</text>
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          <name>Title (French)</name>
          <description>The image's title, in French.</description>
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            <elementText elementTextId="1589">
              <text>Vüe du Champ de Mars le jour du 20 Prairial l'An 2.e de la République : Ou la Convention et les Autorités Constituées ont Assisté à la Fête Nationale</text>
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          <name>Sortable Date</name>
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              <text>1794-06-08</text>
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            <name>Source</name>
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                <text>&lt;span&gt;Bibliothèque Nationale de France&lt;/span&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>These depictions show the Festival of the Supreme Being, a massive pageant staged by Jacques–Louis David on 8 June 1794, in open air on the "Field of Reunion," formerly the royal army’s parade ground. At David’s orders, a huge mountain was erected on the field, as seen in this engraving.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>G. Texier</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1584">
                <text>Public Domain</text>
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            <name>Format</name>
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                <text>JPEG</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>French</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Festival of Supreme Being</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="9818">
                <text>http://chnm.gmu.edu/revolution/d/114/|&lt;span&gt;Collection de Vinck. &lt;em&gt;Un siècle d'histoire de France par l'estampe, 1770-1870&lt;/em&gt;. Vol. 46 (pièces 6283-6356), Ancien Régime et Révolution&lt;/span&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1794</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>114</text>
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        <name>Enlightenment</name>
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      <tag tagId="11">
        <name>Image</name>
      </tag>
      <tag tagId="12">
        <name>Religion</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
