14 10 1079 https://revolution.chnm.org/files/original/69620f9ca4e20d697ae4480dc98bebe1.jpg 56aa1c5ca1fe72105a13b3b51fff0f57 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 9.5 x 15.5 cm Title (French) The image's title, in French. Neuf émigrés à la guillotine Caption The image's caption. Neuf émigrés ayant été pris les armes à la main furent amenés à Paris, jugés par un conseil de guerre et exécutés sur la place de Grêve, le plus âgé n'avait pas 30 ans Sortable Date 1792-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource In a woodcut that appeared in Révolutions de Paris, the guillotine is used before a crowd of soldiers and patriotic onlookers, to execute nine "émigrés" who had tried to fell France and thus demonstrated themselves to be traitors. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Nine Emigrants Go to the Guillotine Relation A related resource http://chnm.gmu.edu/revolution/d/124/|Michel Hennin. Estampes relatives à l'Histoire de France. Tome 128, Pièces 11231-11307, période : 1792 Date A point or period of time associated with an event in the lifecycle of the resource 1792 Identifier An unambiguous reference to the resource within a given context 124 Image The Terror https://revolution.chnm.org/files/original/bf5eef70ba1d3eb6e077fccc41d3c2f7.jpg a557fb25c8a811ee4a0f52eb90f0fbf2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 36 x 18 cm Title (French) The image's title, in French. La Véritable guillotine ordinaere Caption The image's caption. Ha, le bon soutien pour la liberté! Sortable Date 1791-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource The guillotine was first introduced as a humane, efficient, and above all modern form of execution in April 1792; during the radical phase of the Republic, it would become the symbol of the Terror. This engraving suggests the guillotine is providing "good support for liberty." Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource An Ordinary Guillotine Relation A related resource http://chnm.gmu.edu/revolution/d/125/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 29 (pièces 4856-5017), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1791-1795 Identifier An unambiguous reference to the resource within a given context 125 Clubs Image Popular Politics Sans-culottes The Terror https://revolution.chnm.org/files/original/61f27598988e90c78e627cbe0a0659cf.jpg 5fb43e4205ce9fc45b1cb41753b4d937 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 27 x 37 cm Title (French) The image's title, in French. Acte de justice du 9 au 10 thermidor Sortable Date 1794-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Here Robespierre’s death is depicted as divine retribution, as in a classical myth. Numerous heads, presumably of those who had perished at the guillotine, watch two male figures (bearing a strong resemblance to Hercules, who had been an early symbol of the Revolution) carry the freshly severed heads of Robespierre and his followers toward the mythological river Styx, guarded by the three–headed dog Cerberus. Creator An entity primarily responsible for making the resource Viller Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Act of Justice Relation A related resource http://chnm.gmu.edu/revolution/d/126/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 48 (pièces 6461-6583), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1794 Identifier An unambiguous reference to the resource within a given context 126 Image Popular Politics The Terror https://revolution.chnm.org/files/original/2f6fb8e5ff154c1e2347694fbe800aac.jpg 9dcfcef31869680246fcf52a606a7ed3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 9.5 x 15 cm Title (French) The image's title, in French. Beau mouvement de cinq cent mille Républicains Caption The image's caption. Bataillon Sacré composé de 500.000 Républicains deffendant notre Constitution contre les esclaves de tous les tyrans coalisés Sortable Date 1793-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource The revolutionary wars, which would continue in one form or another until Napoleon’s defeat in 1815, were different from other conflicts in early modern Europe. In this struggle that emerged in 1792, both sides thought they were fighting for different ideas of governance and society: political democracy versus traditional hierarchy. When England and France had fought before 1789, they might have also clashed over political ideas, but it was clearly a war between dynasties over economics and geographical assets. The one other struggle that could have such varying ideals concerned religion. This image promoted the French as republicans, fighting for a constitution. Note that the constitution is presented as two tablets, as in many renditions of the Ten Commandments. The opponents are described as slaves. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Noble Act of 500,000 Republicans Relation A related resource http://chnm.gmu.edu/revolution/d/127/|Michel Hennin. Estampes relatives à l'Histoire de France. Tome 133, Pièces 11674-11753, période : 1793 Date A point or period of time associated with an event in the lifecycle of the resource 1793 Identifier An unambiguous reference to the resource within a given context 127 Image War https://revolution.chnm.org/files/original/a047ffcd12fe331279f97d2c9929f03e.jpg 7512c98e8dbb87dbcb53222a025eaa28 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 8.5 x 16.5 cm Title (French) The image's title, in French. Victoire des Français à la bataille de Gemmappe Caption The image's caption. le 17 novembre 1792 le général Dumourier est entré à Mons après une bataille dont l'histoire ne fournit pas d'exemple. Les Français ont prouvé qu'ils sont dignes de combattre pour la liberté Sortable Date 1792-11-06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource This engraving first appeared in the newspaper Révolutions de Paris and shows the French General Charles–François Dumouriez entering the city of Mons after having led French forces to their first truly decisive victory of the war on 6 November 1792. According to the caption, this victory demonstrated to all of Europe that French forces, although having lost their traditional officer class through emigration, were nevertheless victorious because of their commitment to fighting for liberty. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource French Victory at the Battle of Jemmappes Relation A related resource http://chnm.gmu.edu/revolution/d/128/|Michel Hennin. Estampes relatives à l'Histoire de France. Tome 129, Pièces 11308-11394, période : 1792 Date A point or period of time associated with an event in the lifecycle of the resource 1792 Identifier An unambiguous reference to the resource within a given context 128 Image Provinces War https://revolution.chnm.org/files/original/b5652273b93fc2b52df20bd0561f1183.jpg 623c9ea7d5e474a7736da0358274956e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 43.5 x 28 cm Title (French) The image's title, in French. Bonaparte, premier Consul de la Republique française, le 18 brumaire an VIII Sortable Date 1798-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource From the beginning it was clear that Napoleon’s political support was closely tied to his fortunes in war. This engraving celebrates the victory over the Austrians at the battle of Marengo in Italy, June 1800. In fact, he almost lost this battle, but government propaganda rarely mentioned any such problems. Both in this image here and in the written report, it is described as a major victory. Creator An entity primarily responsible for making the resource Charles François Gabriel Le Vachez (engraver) Jean Duplessi-Bertaux (designer) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Bonaparte, First Consul of the French Republic, 18 Brumaire, Year VIII Relation A related resource http://chnm.gmu.edu/revolution/d/130/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 54 (pièces 7395-7505), Directoire, Consulat et Empire Date A point or period of time associated with an event in the lifecycle of the resource 1798-1817 Identifier An unambiguous reference to the resource within a given context 130 Image Napoleon Bonaparte https://revolution.chnm.org/files/original/f13ba490f61400d8a8115a4fef096ca9.jpg 04be0bb926894fbffdcef98d0e4a5c2b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived mfr 86.322 Description An account of the resource This scatological English cartoon mocks France’s claim that it was going to war for "liberty," suggesting instead that France’s body politic is ill and that England needs to fight back to defend itself from such sickness. The figures in this drawing represent all the major leaders of Europe, including Louis XVI, Catherine of Russia, William Pitt, King George III of Britain, and the Pope, while symbols represent the Prussian and Habsburg monarchies. Identifier An unambiguous reference to the resource within a given context 131 Title A name given to the resource Gallic Declaration of War, or, Bumbardment of all Europe Relation A related resource http://chnm.gmu.edu/revolution/d/131/ Counterrevolution Europe in Revolution Image War https://revolution.chnm.org/files/original/6cc584010338b6fcf7545ee6d94101a4.jpg f1f4b86a2615a0562eafcb09771c7343 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 25.5 x 35.5 cm Sortable Date 1799-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Museum of the French Revolution 88.71 Description An account of the resource A sarcastic treatment from England of French manners that contrasts the weakness of the old regime with revolutionary arrogance. The engraver also seems to be pointing toward two entirely different views of masculinity. Creator An entity primarily responsible for making the resource James Gillray (engraver) Rights Information about rights held in and over the resource Museum of the French Revolution Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Title A name given to the resource A French Gentleman of the Court of Louis XVI. A French Gentleman of the Court of Egalité, 1799 Relation A related resource http://chnm.gmu.edu/revolution/d/132/|George, 9410. - Catalogue of prints and drawings in the British museum..., Political and personal satires / par Mary-Dorothy George. - London : British museum, 1873-1952, 9410. Date A point or period of time associated with an event in the lifecycle of the resource 1799 Identifier An unambiguous reference to the resource within a given context 132 Counterrevolution Image Nobility https://revolution.chnm.org/files/original/a7d15f8dde31c5cd935fd930574d9c16.jpg de4a752f9ff6422ce7c5ca87d3fce1bc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Sortable Date 1793-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived mfr 89.35 Description An account of the resource Yet another English image promising that the death of Louis will bring havoc on the Revolution. This engraving indicates that the very blood of the King requires vengeance. Identifier An unambiguous reference to the resource within a given context 133 Title A name given to the resource The Blood of the Murdered Crying for Vengeance Relation A related resource http://chnm.gmu.edu/revolution/d/133/ Date A point or period of time associated with an event in the lifecycle of the resource 1793 Counterrevolution Image Monarchy The Terror https://revolution.chnm.org/files/original/6d3c24956146c9f46cfec2eb987ba059.jpg f348085b264338abdac95facef358046 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Title (French) The image's title, in French. The Radical’s Arms. (No God! No Religion!! No King! No Constitution!!) Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching and colored wash Physical Dimensions The actual physical size of the original image 35.4 x 24.9 cm Sortable Date 1819-11-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Library of Congress Description An account of the resource From an English periodical of 1819, this antirevolutionary print portrays the sans–culottes as drunkards anxious to destroy by fire, gallows, and guillotine rather than to work for their own good. The image satirizes the idea of sans–culotte simplicity by arranging the two figures and the guillotine as an aristocratic coat of arms. Creator An entity primarily responsible for making the resource George Cruikshank Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Title A name given to the resource The Radical’s Arms. (No God! No Religion!! No King! No Constitution!!) Relation A related resource http://chnm.gmu.edu/revolution/d/134/ Date A point or period of time associated with an event in the lifecycle of the resource 1819 Identifier An unambiguous reference to the resource within a given context 134 Clubs Image Middle Classes – Bourgeoisie Popular Politics Sans-culottes The Terror