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              <text>Caricature allemande à 6 compartiments, où l'on voit un brave Allemand qui, à l'instar du chat avec la souris, s'amuse à tourmenter Napoléon de diverses façons, avant de l'avaler</text>
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                <text>Napoleon is mocked through this diminutive portrayal of the former conqueror.</text>
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                <text>Six Part German Caricature: Napoleon Is Now Reduced to a Manageable Size!</text>
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                <text>German cartoonists tried to reduce Napoleon down to size, in this case, the size of mice! Here the mice serve as courtiers.</text>
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              <text>Die grösste Heldenthat des neunzehnden Jahrhunderts oder Eroberung der Insel Saint Helena.</text>
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                <text>In this cartoon, Napoleon is portrayed as a buffoon, riding a goat in a charge against rodents, mocking his warlike instincts.</text>
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                <text>"Celebrating Napoleon’s Birthday on the Island of St. Helena"</text>
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                <text>As in other caricatures, foreigners tried to humiliate Napoleon, once again using mice to represent those who would now attend him.</text>
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                <text>Some images of Charlotte Corday emphasized her purity.</text>
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                <text>This composition of the scene, in which a helpless Louis seems to be looking upward to heaven with his confessor, communicates humility. The executioners are relatively passive, leaving the King and confessor center stage. This reveals that in mortal death, the King had a chance to look better than his tormentors. Although this print was undoubtedly produced significantly after the fact, contemporary spectators also might have felt this moment of moral superiority available to the victim. As sentimentality became more prevalent in the eighteenth century, sympathy for the accused on the scaffold had grown, so that authorities had increasingly taken executions out of the public eye. Perhaps, it is likely that Louis at least realized a measure of this same concern. And possibly Sanson’s exuberance after the execution when he eagerly held aloft the King’s head, as well as a prior decision to call for a drum roll to drown out the King’s attempts to address the crowd, were meant to erase any empathy for his condition.</text>
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