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                <text>Cornell 4606.15.J18</text>
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                <text>This event, which may be entirely apocryphal, and is shown in an image that surely dates from much after the Revolution, relates to the vision of the weakness of Louis and the strength of Marie Antoinette.</text>
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                <text>The Queen Tries to Raise Louis XVI’s Spirits.</text>
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                <text>Many scholars would argue that Louis XVI’s finest moment came from his bravery at his execution. Even when he was forbidden from saying a last few words to those gathered to see him executed, he remained unflinching, retaining his composure. Here one can see the confessor, Edgeworth de Firmont, selected by Louis himself. The executioner is a member of the Sanson family, well–known for their efficiency. The guillotine awaits.</text>
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                <text>Son of Saint–Louis Going Up to Heaven . . .</text>
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              <text>&lt;span&gt;Fils de S.t Louis montez au Ciel&lt;/span&gt;, 21 Janvier 1793</text>
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                <text>This image shows much the same scene on the platform as the preceding one, but the surroundings are much more in evidence. Visible here are the troops. Eight to nine thousand were mobilized to avoid any efforts at rescue. This is clearly the last moment as Louis XVI has his coat off and his hands secured behind his back. The confessor steadies the King.</text>
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                <text>Jean-Baptiste Vérité</text>
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                <text>Execution of Louis XVI, January 21, 1793, 10:22 in the morning</text>
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                <text>http://chnm.gmu.edu/revolution/d/180/|&lt;span&gt;Collection de Vinck. &lt;em&gt;Un siècle d'histoire de France par l'estampe, 1770-1870&lt;/em&gt;. Vol. 31 (pièces 5142-5251), Ancien Régime et Révolution&lt;/span&gt;</text>
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                <text>Marie Antoinette is almost sainted in this image.</text>
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                <text>Confined to her cell, the Queen is as dejected as her husband.</text>
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              <text>Journée du 16 Octobre 1793</text>
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                <text>This postcard in English and French does show the broader scene at the execution of the Queen. Before the guillotine stands Marie Antoinette with Sanson, the same executioner who had dispatched her husband ten months before. Surrounded by soldiers, and tens of thousands of onlookers, she awaits the moment of death. Also on the platform is Marie Antoinette’s confessor. The execution, like that of her husband, took place at the Place de la Révolution, recently renamed from Place de Louis XV (currently Place de la Concorde). Dominating the entire scene was a giant statue of Liberty sitting on a pedestal that once held a statue of Louis XV. In Liberty’s right hand is a pike while she wears a Phrygian cap. This reshaping of the monarchical square seems quite consistent with the elimination of the Queen.</text>
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                <text>http://chnm.gmu.edu/revolution/d/183/|Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 132, Pièces 11587-11673, période : 1793</text>
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                <text>One of the most fearful parts of the Terror was its unpredictability. Many were swept up in suspicion, including unexpected, even nighttime arrests. As reality and imagination merged, this fear of the uncertainty of the era became an important part of the story, as this print in English testifies.</text>
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                <text>This print shows the attack on the Tuileries Palace, which housed the royal family. Although the place was well–defended, many troops simply defected. When the artillery quit, the King and his family hastened across to the nearby meeting hall of the Legislative Assembly for protection. But the battle continued when a number of the defenders—particularly the Swiss guard—resisted. A full–scale engagement ensued with some 600 Swiss killed and about double the number of insurgents dead. Casualties notwithstanding, the attackers won. The victory sealed the demise of the monarchy and ensured that it would be replaced by a republic.</text>
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