2 10 1079 https://revolution.chnm.org/files/original/064c41f9c80c727f229f473120871e75.jpg 7f4542507667d41a8b6d3a436674fb0f https://revolution.chnm.org/files/original/5afee0a8e413610e317f33319d87ff1c.jpg 3664fed211d3a0d2f4f3aa41fbd4f279 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1126 Title A name given to the resource The Moscow Campaign 1812 Relation A related resource https://chnm.gmu.edu/revolution/d/1126/ Map https://revolution.chnm.org/files/original/d90c8c3c102bd0b17af5607410bc5cec.jpg 89f00504949d27cd74a859439bfdbbb3 https://revolution.chnm.org/files/original/93971dcba37bdab51c83ae2cb34c9cee.jpg 4b2b0ce2b97e8446948fe390becd0811 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1127 Title A name given to the resource Departments of 1798 Relation A related resource https://chnm.gmu.edu/revolution/d/1127/ Map War https://revolution.chnm.org/files/original/9115b2bb5824e99773f0566bf7978157.jpg 2b3fd407ef2d935c249b78c0fe34e586 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 33 x 24.5 cm Title (French) The image's title, in French. La Raison Sortable Date 1793-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Museum of the French Revolution 83.310 Bibliothèque Nationale de France Description An account of the resource To contemporaries who subscribed to the Enlightenment, the term "reason" was to be contrasted to superstition. Even though Christians, too, believed in reason, they also wanted to make room for the possibility of God’s intervention, particularly in miracles. Such exceptions seemed to Enlightenment adherents to conflict with reason, which they argued demanded evidence to substantiate claims. To this day scholars still dispute whether enlightened thinkers’ faith in reason was so encompassing that it acted as a belief not all that different from religiosity. Creator An entity primarily responsible for making the resource Jean-Baptiste Gautier (engraver) Louis-Simon Boizot (designer) Rights Information about rights held in and over the resource Museum of the French Revolution Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Reason Relation A related resource http://chnm.gmu.edu/revolution/d/1/|Images de la Révolution française : catalogue du vidéodisque, 1990, 4582 Date A point or period of time associated with an event in the lifecycle of the resource 1793-1794 Identifier An unambiguous reference to the resource within a given context 1 Enlightenment Image Religion Women https://revolution.chnm.org/files/original/8c0616479b03b2f71338e2b41e902e13.jpg 835cc572535c4805ec783eb93e86545d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 33 x 24.5 cm Title (French) The image's title, in French. La Fraternité Sortable Date 1793-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Using a woman to represent "Fraternity" seems ironic at best, although theoretically the term might mean the community of humanity. In actuality, when the revolutionaries considered "community," they certainly thought of men far more than women. The period saw women take advantage of opportunities presented to them, but outright champions of this kind of inclusive community were few. What might the revolutionaries have meant, then, by their reliance on the female form? One might hypothesize that in a revolution that feared the bold action of crowds, construing fraternity in this fashion softened and lessened such concerns. Creator An entity primarily responsible for making the resource Mademoiselle Rollet (engraver) Louis-Simon Boizot (designer) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Fraternity Relation A related resource http://chnm.gmu.edu/revolution/d/2/|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 44 (pièces 5943-6108), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1793-1794 Identifier An unambiguous reference to the resource within a given context 2 Clubs Enlightenment Image Popular Politics https://revolution.chnm.org/files/original/042637d4456d4f3efb1b44d8c8bc60f9.jpg 241bcffd869c58249fac63138818fbec Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 32.5 x 25 cm Title (French) The image's title, in French. L'Egalité Sortable Date 1793-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource At the beginning of the Revolution, the term "equality" meant an end to the legal differences that had characterized the Old Regime. For example, all individuals would be subject to the same regimen of taxation. Over the course of the decade, however, the Revolution radicalized, and equality expanded to encompass an end to many other sorts of differences, particularly economic ones. Although equality is here represented as a woman, the revolutionaries were capable of using males, particularly Hercules. But this powerful symbol frightened many, especially from the educated elite, and the female "Equality" seemed far less terrifying. Creator An entity primarily responsible for making the resource Jean Baptiste Gautier (engraver) Louis-Simon Boizot (designer) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Equality Relation A related resource http://chnm.gmu.edu/revolution/d/3/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 136, Pièces 11948-12048, période : 1794 Date A point or period of time associated with an event in the lifecycle of the resource 1793-1794 Identifier An unambiguous reference to the resource within a given context 3 Clubs Economic Conditions Enlightenment Image Monarchy Nobility Popular Politics https://revolution.chnm.org/files/original/cd830df4f421f1d0b3426eeabc8ea6c1.jpg 6ff03cdc461fe7932db14689ccf47499 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 33 x 24.5 cm Title (French) The image's title, in French. La Liberté Sortable Date 1793-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Even before the Revolution, the French had used a woman in a toga to symbolize liberty. By July 1789 this symbol had become quite common and would only grow more familiar over the revolutionary decade. Generally the female Liberty was a poised counterpart to the frantic actions of the Revolution. She represented calm like a saint. Belonging to no group and no particular place, she stood for a universal principle based on reason. Creator An entity primarily responsible for making the resource Madame de Monchy (engraver) Louis-Simon Boizot (designer) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Liberty Relation A related resource http://chnm.gmu.edu/revolution/d/4/|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 44 (pièces 5943-6108), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1793-1794 Identifier An unambiguous reference to the resource within a given context 4 Clubs Enlightenment Image Popular Politics Women https://revolution.chnm.org/files/original/4e33a9fc234a964325ee7f37a8509462.jpg 18b37d69882129f729425c425ef55e6c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Drawing Physical Dimensions The actual physical size of the original image 38.5 x 49 cm Title (French) The image's title, in French. La Journée du 21 juillet 1789 : escalade et pillage de la maison de ville de Strasbourg Sortable Date 1789-07-21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource More common than clashes by workers against employers were protests over the rising price of bread. This color drawing depicts events at the City Hall of Strasbourg on 21 July 1789. Notice that the protesters are tearing up the roof and throwing the tiles down into the street to ward off soldiers; similarly, protesters in other buildings are pitching objects out of windows. Creator An entity primarily responsible for making the resource Johann Hans Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource The Day of 21 July 1789; Scaling and Pillaging of the Hotel de Ville in Strasbourg Relation A related resource http://chnm.gmu.edu/revolution/d/5/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 119, Pièces 10386-10489, période : 1789 Date A point or period of time associated with an event in the lifecycle of the resource 1789 Identifier An unambiguous reference to the resource within a given context 5 Image Popular Politics Provinces https://revolution.chnm.org/files/original/139918602ac2c952a69b0162c4cb676d.jpg d6b072550e919c9f8793a1c035f9d7e2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 20 x 27 cm Title (French) The image's title, in French. Derniere procession constitutionelle pour l'enterrement du serment civique qui se fera le...1792 Sortable Date 1792-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Of particular interest in this caricature of refractory clergy here are the long noses, traditionally used to caricature Jews, that suggest the refractory clergy were not of the people. This image shows resistant clergy marching in their last procession. The satyr at the rear with a coffin seems to threaten their very lives. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Procession of Refractory Clergy Relation A related resource http://chnm.gmu.edu/revolution/d/6/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 128, Pièces 11231-11307, période : 1792|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 20 (pièces 3419-3600), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1792 Identifier An unambiguous reference to the resource within a given context 6 Counterrevolution Image Religion https://revolution.chnm.org/files/original/86a4996f0e2224952d7f700433c0edbe.jpg c7deec797853440f6a06ab232921738e https://revolution.chnm.org/files/original/5213928351fba9eee948a6b0c427fc98.jpg 3002c794803f8c6dabac122f331d7212 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching Physical Dimensions The actual physical size of the original image 31.6 x 45.7cm Title (English) The image's title, in English. Ci-devant Occupations; or, Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797. - A Fact! Caption The image's caption. Barrass (then in Power) being tired of Josephine, promissed Buonaparte a promotion, on condition that he would take her off his hands; -- Barrass had, as usual, drank freely, & placed Buonaparte behind a Screen, while he amused himself with these two Ladies, who were then his humble dependents, -- Madame Talian is a beautiful Woman, tall & elegant; -- Josephine is smaller & thin, with bad Teeth, something like Cloves, -- it is needless to add that Buonaparte accepted the Promotion & the Lady, -- now, -- Empress of France! Sortable Date 1805-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Metropolitan Museum of Art Description An account of the resource The second image, a color drawing by the popular English caricaturist James Gillray in 1805 during the Empire, takes a different view of the Directory, suggesting that it is a time of moral decadence and self–aggrandizement. It depicts Paul Barras, while in power as a member of the five–man executive Directory in 1797, being entertained by the naked dancing of two wives of prominent men, the former Jacobin deputy Jean–Louis Tallien and Bonaparte. Madame Tallien appears beautiful, tall, and elegant, while Josephine de Beauharnais, Bonaparte’s future wife, appears small, thin, and with bad teeth. According to the text, Barras chose Madame Tallien (taking the man’s wife just as he usurped the man’s political power), while Bonaparte (seen watching from behind a curtain) eagerly accepted the less attractive woman so he could advance his political career. Creator An entity primarily responsible for making the resource James Gillray Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Title A name given to the resource Aristocratic Occupations . . . Relation A related resource http://chnm.gmu.edu/revolution/d/7/ Date A point or period of time associated with an event in the lifecycle of the resource 1805 Identifier An unambiguous reference to the resource within a given context 7 Counterrevolution Image Nobility Women https://revolution.chnm.org/files/original/84370728987a79a6be1f96516d72a14c.jpg 94504eb509d9cd80a698b54d9815e9b6 https://revolution.chnm.org/files/original/7bdc3619d0bc9075d67317e5edc42295.jpg f448dd7f915fecd87792bf32cb294925 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 40 x 53cm Title (French) The image's title, in French. Jugement de Marie Antoinette D'Autriche au Tribunal Révolutionnaire Sortable Date 1805-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Some months after the execution of her husband, Marie Antoinette found herself in the dock of the public prosecutor, Antoine Quentin Fouquier–Tinville. The intervention of the radical journalist Jacques–René Hébert had pushed her case to the top, and she was accused most notably of immorality and treason. She defended herself bravely and calmly, as the above image suggests. But the judgment was never in doubt, as the revolutionaries had always doubted her. And acquittal in these conditions was difficult at best. After a two–day trial, she was convicted and executed the next day, 16 October 1793. Creator An entity primarily responsible for making the resource J.-Frédéric Cazenave (engraver) Pierre Bouillon (designer) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Trial of Marie Antoinette of Austria Relation A related resource http://chnm.gmu.edu/revolution/d/8/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 33 (pièces 5395-5522), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1805-1815 Identifier An unambiguous reference to the resource within a given context 8 Counterrevolution Image Monarchy Women