24 10 1079 https://revolution.chnm.org/files/original/7e4a11acb4a350c853c3919d09da2186.jpg ef6ac8c96f6aa2510c7067492442ecc2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Sortable Date 1805-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Internet Archive Description An account of the resource This image reveals grotesque mistreatment of blacks even during training exercises. Here a cavalryman (chasseur) plans to use a black as a live prey for hunting dogs. Creator An entity primarily responsible for making the resource I. Barlow (engraver) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Title A name given to the resource The Mode of training Blood Hounds in St. Domingo, and of exercising them by Chasseurs Relation A related resource http://chnm.gmu.edu/revolution/d/227/|Marcus Rainsford, An Historical Account of the Black Empire of Hayti (London: Albron Press, 1805), 37. Date A point or period of time associated with an event in the lifecycle of the resource 1805 Identifier An unambiguous reference to the resource within a given context 227 Image Napoleon Bonaparte War https://revolution.chnm.org/files/original/4095da91a938530407034825cf041d5b.jpg 9b9537b831e18b9e781f5e3ddd5d9407 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Sortable Date 1789-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived The Menil Collection (Houston, Texas), 83-110DJ. Description An account of the resource This reproduction of a painting by George Morland (1789) has lurid colors and shows the sale of a slave. The artist suggests that friends or relatives are being separated, as one of the slaves is being forcibly restrained as the other slave is being ushered into a boat. Identifier An unambiguous reference to the resource within a given context 228 Title A name given to the resource Execrable Human Traffick, or The Affectionate Slaves Relation A related resource http://chnm.gmu.edu/revolution/d/228/ Date A point or period of time associated with an event in the lifecycle of the resource 1789 Image Nobility Public Opinion https://revolution.chnm.org/files/original/192963faa90ddff788ce5211f9c14a03.jpg e0d53078aa9aaff3d9e7a9d7941a9aab Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Color etching Physical Dimensions The actual physical size of the original image 24.5 x 34 cm Sortable Date 1792-12-21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Library of Congress Creator An entity primarily responsible for making the resource James Gillray Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Title A name given to the resource French Liberty. British Slavery. Published December 21, 1792. Relation A related resource http://chnm.gmu.edu/revolution/d/1141/ Date A point or period of time associated with an event in the lifecycle of the resource 1792 Identifier An unambiguous reference to the resource within a given context 1141 Image https://revolution.chnm.org/files/original/d75b4fb0eda55ccf5ad0399d0cebfec3.jpg eaa4ac077caed3d00b9e65ed1860c751 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 21.5 x 32.5 cm Title (French) The image's title, in French. Arrivée du Roi et de la famille royale à Paris, le 6 octobre 1789 Sortable Date 1789-10-06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource When the revolutionaries, led by thousands of women, marched to Versailles, they triumphantly seized and then brought the king to Paris, where he would live in the midst of his people. Here this image attempts to maintain a perception of royal pomp and grandeur, ignoring the reality that the king was forced against his will. Still few could fully foresee the ultimate changes underway –– that the king had lost much of his sacred aura and was now headed toward an uncertain future. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Arrival of the Royal Family in Paris on 6 October 1789 Relation A related resource http://chnm.gmu.edu/revolution/d/229/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 119, Pièces 10386-10489, période : 1789 Date A point or period of time associated with an event in the lifecycle of the resource 1789 Identifier An unambiguous reference to the resource within a given context 229 Image Monarchy Popular Politics https://revolution.chnm.org/files/original/7b9df3e048c3ca0874a3e44e72036e38.jpg cbea7dd0277046baeb77d42e0c46ef4d https://revolution.chnm.org/files/original/3a0e1223e679d7d770d58ed84ace23ef.jpg 7aace019d0854a52bc996ee7b8387ebf Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 21.5 x 37cm Title (French) The image's title, in French. Triomphe de l'Armée Parisienne réunis au Peuple a son retour de Versailles à Paris le 6 Octobre 1789 Sortable Date 1789-10-06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Returning home from the October march to Versailles, the women and the guardsmen display the heads of troops who confronted the marchers. Note the use of tree branches, symbolizing support for the revolution here as in other prints. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Triumph of the Parisian Army and the People Relation A related resource http://chnm.gmu.edu/revolution/d/230/|Michel Hennin. Estampes relatives à l'Histoire de France. Tome 119, Pièces 10386-10489, période : 1789 Date A point or period of time associated with an event in the lifecycle of the resource 1789 Identifier An unambiguous reference to the resource within a given context 230 Image Monarchy Popular Politics https://revolution.chnm.org/files/original/f5f09f345100a42f7225a20e7796755f.jpg f271033c66cd732e72801065ff521e94 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Title (French) The image's title, in French. La Journée mémorable de Versailles, le lundi 5 Octobre 1789 Title (English) The image's title, in English. A Memorable Day at Versailles Caption The image's caption. Dans cette émeute générale plusieurs Gardes du Corps ont été Massacrés, deux d’entre eux furent Décollés et leurs têtes portées en Triomphe par ce même peuple ami de la liberté Nationale. Caption (English) The image's caption, in English. In this general riot, several bodyguards have been massacred; two among them were decapitated and their heads carried in triumph by this same people, friend of national liberty. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching and colored wash Physical Dimensions The actual physical size of the original image 16.0 x 14.7 cm Sortable Date 1789-10-05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource A Memorable Day at Versailles Relation A related resource http://chnm.gmu.edu/revolution/d/1133/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 18 (pièces 2908-3106), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1789 Identifier An unambiguous reference to the resource within a given context 1133 Image https://revolution.chnm.org/files/original/71a93de2bc3b5fda02b4277317f577f2.jpg c48c74e490979895e9716100e2994c8f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 25.5 x 38 cm Title (French) The image's title, in French. La Fuite a déssein ou le parjure Louis XVI Sortable Date 1791-06-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Another engraving of the King’s arrest portrays the guard apprehending Louis and his family in their flight from Paris in June 1791. From Varennes, the royal family is brought back to Paris accompanied by three deputies of the National Assembly, armed guards, and a sometimes angry crowd. Upon returning to Paris, a large and unfriendly crowd turned out to view the man now known simply as Louis Capet, no longer King of the French. Creator An entity primarily responsible for making the resource Laurent Guyot (engraver) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Fleeing by Design or the Perjurer Louis XVI Relation A related resource http://chnm.gmu.edu/revolution/d/231/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 125, Pièces 10979-11059, période : 1791|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 23 (pièces 3894-4078), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1791 Identifier An unambiguous reference to the resource within a given context 231 Image Monarchy Popular Politics Provinces https://revolution.chnm.org/files/original/2f0a45268b61fbb5e8fc4b7b172e8ea6.jpg b2d5415670788be57e7519b0c2cf50c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Title (French) The image's title, in French. Fondation de la République le 10 Août 1792 Title (English) The image's title, in English. Foundation of the Republic, August 10, 1792 Caption The image's caption. Vers les dix heures et demi du matin, tout Paris se trouvait pour ainsi dire rassemblé au Carrousel et lieux adjacents, les Marseillais en tête. Ceux-ci demandent qu’on ouvre les portes de la Cour des Princes. Les portes s’ouvrent sans difficulté, ils entrent et s’avancent huit de front, ils sont accueillis, fêtés par les Suisses rangés en haie sur plusieurs files ; ils en reçoivent même des cartouches en signe d’amitié, ils avancent encore suivis du Bataillon des Cordeliers. Arrivés à dix pas du Château un feu roulant part de droite et de gauche à la fois et même à travers les croisées du Château, suivi d’une décharge de canon à mitraille et masqué. Un grand nombre d’hommes tombent à cette décharge inopinée et perfide, leurs camarades se replient en bon ordre et rebroussent chemin sans se débander, soutenus par les Bretons ; le feu ne cessait point ; ils y furent exposés presque seuls et pendant plus d’une heure, attendu que les bataillons Parisiens mal approvisionnés de munitions avaient à peine de la poudre et trois coups a tirer. Les Suisses ne cessaient de fusiller du dedans de leurs casernes où ils se cachaient après le coup pour recharger leur fusil tout à l’aise, fort peu incommodés par les volontaires. On tirait en même temps sur le peuple de chaque fenêtre du Pavillon de Flore et la grande galerie le long du quai plusieurs citoyens, surtout des femmes et des enfants, n’evitèrent les balles qu’en se precipitant par-dessus les parapets dans la rivière. On tirait en même temps et du côté du jardin et du côté de la ville. On tirait des combles et des soupiraux, il paraît que le mot était donné au Chateau de faire une seconde St Barthelemy. Enfin les Marseillais et les Bretons ne sont plus seuls à soutenir l’artillerie cachée des Suisses, les gendarmes à pied et à cheval, qui ont eu tant de part à la gloire de cette journée qui sans eux eut été plus sanglante pour les patriotes, accoururent, sans hésiter un moment fondent sur les casernes avec impétuosité et y mettent le feu. Nombre de cavaliers et de chevaux resteront sur la place, un trompette de 12 ans a son cheval tué sous lui. Son sang-froid ne l’abandonne pas, il coupe la sangle prend son porte manteau et va se placer dans les rangs de l’Infanterie. Les piques ne cedèrent point aux gendarmes pour le courage, elles braverent l’artillerie et furent très utiles mêlées aux baïonnettes. Caption (English) The image's caption, in English. Towards 10:30 in the morning, all Paris seemingly found itself assembled at the Carrousel and nearby places, with the Marseillais at the head. The latter asked that the doors to the Court of Princes be opened. With the doors opening without difficulty, they entered and advanced eight across. They were greeted, feted by the Swiss [guards] in a line with several files. They even received them with some cartridges as a sign of friendship; they advanced then followed by a battalion of the Cordeliers. Ten paces from the Chateau a rolling fire commenced from both right and left at once and even from the windows of the chateau, followed by discharge from shielded cannons firing grapeshot. A great number of men fell from this unforeseen and perfidious discharge, their comrades retreating in good order and returning into the street without breaking up, backed up by the Bretons; the firing did not stop at all; they were exposed almost alone and during more than an hour, waiting for the Paris battalions whose limited firepower consisted of little powder and only three rounds to fire. The Swiss did not stop firing from inside their barracks where they could take cover after a shot to recharge the gun at will, little harassed by the volunteers. Some fired at the same time on the people from the windows of the Pavillon de Flore and the large gallery along the embankment; several citizens, especially women and children, could only avoid the shots by throwing themselves over the parapets into the river. Firing continued at the same time from the direction of the garden and from that of the town. They fired from the roofs and from the air shafts; the word was this was to be a second St. Bartholomew. Finally the Marsellais and the Bretons are not alone, suffering under the artillery from the concealed Swiss. The gendarmes on foot and on horse, who have so much of the glory of the day which without them would have been more bloody for the patriots, ran up, without hesitating a moment, started up impetuously against the barracks and returned fire. A number of cavaliers and horses remained in place, a twelve –year-old bugler had his horse shot out from under him. His sang-froid did not abandon him; he cut the girth, dropped his bag, and took his place in the ranks of infantry. The pikemen cede nothing to the gendarmes in courage, braving the artillery, and were very useful in the bayonet battle. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching Physical Dimensions The actual physical size of the original image 43.2 x 55.4 cm Sortable Date 1792-08-10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource One of the sharper engagements of 10 August between the revolutionaries and the royal defenders occurred on the palace’s steps. The caption emphasizes the revolutionaries’ point of view. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Foundation of the Republic, August 10, 1792 Relation A related resource http://chnm.gmu.edu/revolution/d/232/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 127, Pièces 11149-11230, période : 1792 Date A point or period of time associated with an event in the lifecycle of the resource 1792 Identifier An unambiguous reference to the resource within a given context 232 Image Monarchy Popular Politics https://revolution.chnm.org/files/original/6ffb9a7afbf97d8c685b2b99bf31e308.jpg 4e2f1e78f4ce86e4659da6056029fcf3 https://revolution.chnm.org/files/original/b69e927b72809b7ec0516211a6b160c6.jpg 4ff338ab0ff1651e1d25cf09a0a57965 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 24 x 17.5cm Title (English) The image's title, in English. The New Covenant of Louis XVI Title (French) The image's title, in French. Nouveau Pacte de Louis XVI Caption The image's caption. Avec le Peuple le 20 Juin 1792, l'An 4.me de la liberté Sortable Date 1792-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource This image of Louis, already altered by commoner attire and a Phrygian cap, added a raised bottle. This transformation could scarcely have been anticipated even a year or two into the Revolution. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Louis as a Drunkard Relation A related resource http://chnm.gmu.edu/revolution/d/466/|Michel Hennin. Estampes relatives à l'Histoire de France. Tome 127, Pièces 11149-11230, période : 1792 Date A point or period of time associated with an event in the lifecycle of the resource 1792 Identifier An unambiguous reference to the resource within a given context 466 Image Monarchy https://revolution.chnm.org/files/original/b2c4af4f6a8755ab8a0f1870fe30b0d9.jpg e41e2dec8ce2c5f1f3154908cca2b376 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Cornell 4606.15.J15 Description An account of the resource Locked up in the Temple prison, there was little for the family to do but await the likely result. This image shows the grief suffusing the entire situation. Identifier An unambiguous reference to the resource within a given context 467 Title A name given to the resource The Pathos of Death Relation A related resource http://chnm.gmu.edu/revolution/d/467/ Counterrevolution Image Monarchy