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              <text>Madam sans Culotte</text>
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                <text>Emerging from urban revolutionary politics was a workers’ movement called the &lt;em&gt;sans–culottes&lt;/em&gt;, a reference to the attire of male artisans. Unlike their wealthier compatriots, they did not wear knee breeches, preferring pants. Thus were they named &lt;em&gt;sans–culottes&lt;/em&gt;, which may be translated as "without breeches." Despite such a masculinist appellation, their companions also bore the name. Here is a very respectable but modest woman fulfilling the domestic role most &lt;em&gt;sans–culottes&lt;/em&gt; men would have desired for women. She would seem to lack the boldness that women did adopt anyway, as in their march to Versailles in October 1789.</text>
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                <text>http://chnm.gmu.edu/revolution/d/543/|Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 134, Pièces 11754-11861, période : 1793</text>
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                <text>Despite the demure expression created by her huge eyes, this woman also shows adherence to the Revolution through her scarf, similar in shape and color to the Phrygian cap.</text>
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                <text>Woman with a Basket in Front of a Door to the Prison</text>
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                <text>Surrounded by her children, this woman represents conventionality and respectability.</text>
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                <text>Provincial Painting—Minatures</text>
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              <text>Président d'un Comité Révolutionnaire, après la levée d'un Scelé</text>
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                <text>Critics of popular action first mastered the art of searing attacks and here sharpen their propaganda skills against this activist worker, who appears to be walking off with his "loot" after the locks have been broken.</text>
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                <text>President of a Revolutionary Committee After the Seal Is Taken Off</text>
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                <text>http://chnm.gmu.edu/revolution/d/601/|Collection de Vinck. &lt;em&gt;Un siècle d'histoire de France par l'estampe, 1770-1870&lt;/em&gt;. Vol. 48 (pièces 6461-6583), Ancien Régime et Révolution</text>
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              <text>&lt;span&gt;Damiens étendu sur un lit de fer&lt;/span&gt;</text>
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                <text>This straightforward representation of Damiens gives no hint of sympathy for a would–be royal assassin.</text>
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                <text>Damiens Being Broken on the Wheel</text>
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                <text>http://chnm.gmu.edu/revolution/d/602/|&lt;span&gt;Collection Michel Hennin. &lt;em&gt;Estampes relatives à l'Histoire de France&lt;/em&gt;. Tome 102, Pièces 8789-8879, période : 1756-1757&lt;/span&gt;</text>
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