3 10 1079 https://revolution.chnm.org/files/original/af9e017e3107024a7cf87ff436be459f.jpg d4dca5aa8b2f024e9ae82cd375d567a5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Title (French) The image's title, in French. Prise de la Bastille Title (English) The image's title, in English. Taking of the Bastille Caption The image's caption. Cette forteresse qui avait su résister au Grand Condé, fut attaquée le 14 juillet 1789 et emportée en moins de 4 heures ; le succès fut dû à la bravoure des Citoyens réunis aux Gardes Françaises. Ce fort, commencé en 1368 sous les ordres de Hugues Aubriot, Prévôt de Paris, qui en fut lui même la 1ère victime, fut entièrement achevé sous le règne de Charles VI, vers l’an 1383. Il a existé 520 [ans] et à peine faudra-t-il 6 mois pour son entière démolition. A Paris chez J. Chereau Rue St Jacques près la Fontaine St Séverin n°257. Column on the left (reference to numbers on the image): 1.Mr de Launay, Gouverneur 2. Mr Harné, Grenadier au Gardes Françaises, natif de Dole en Franche-Comté 3. Mr Humbert, Horloger, natif de Langres Column on the right: 4. Pavillon blanc 5. Maison de Mr de Launay 6. Les Cuisines 7. Premier Pont-levis 8. Grand Pont-levis Caption (English) The image's caption, in English. This fortress, which had been able to resist the Grand Condé, was attacked on July 14, 1789, and was overwhelmed in less than four hours; the success was due to the bravura of the citizens linked together as French Guards. The fort begun in 1368 under the orders of Hugues Aubriot, Prévôt of Paris, who was himself the first victim, was completed under the reign of Charles VI toward the year of 1383. It had existed 520 [years] and scarcely six months was necessary for its entire demolition. . . . Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching and colored wash Physical Dimensions The actual physical size of the original image 31.5 x 42 cm Sortable Date 1789-07-14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource The "bravery of the citizens united against" the royal army, as the text suggests, enabled them to conquer in four hours a fortress that had defeated invasions since 1368. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Taking of the Bastille Relation A related resource http://chnm.gmu.edu/revolution/d/9/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 118, Pièces 10278-10385, période : 1789|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 10 (pièces 1571-1762), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1789 Identifier An unambiguous reference to the resource within a given context 9 Image Popular Politics https://revolution.chnm.org/files/original/da874f8ebcc847cab510d67a8bb0a5a7.jpg f2f5d8e336c53373fa16c8734fc43fc2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 27.7 x 20.7 cm Title (French) The image's title, in French. Bonaparte Premier Consul Remettant l'Epée dans le Fourreau après la Paix Générale Sortable Date 1802-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource The engraving celebrates the peace treaties of 1801 and 1802. The lack of perspective in this image reflects the vision that Napoleon wanted the French to have when they thought about his actions. Making peace proved to be one of Napoleon’s more popular decisions. Creator An entity primarily responsible for making the resource Alexis Chataignier Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Bonaparte, First Consul, Putting Away His Sword after the General Peace Relation A related resource http://chnm.gmu.edu/revolution/d/10/|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 55 (pièces 7506-7590), Directoire, Consulat et Empire Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context 10 Image Monarchy Napoleon Bonaparte Public Opinion War https://revolution.chnm.org/files/original/f59e6583db91e4948cdc41a6a2c80594.jpg 83ec9efcb5576bcd68807fdde208578a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 40.5 x 29 cm Title (French) The image's title, in French. La Mort de Robespierre Sortable Date 1799-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource This engraving, based on a color portrait by Beys, depicts the death of Robespierre on the guillotine. The executioners wear not the traditional hangman’s hood but red bonnets representing liberty. This judgment notes Robespierre’s failure to the Revolution itself. Contemporaries emphasized that Robespierre’s punishment was just because it was the same to which "he had condemned so many thousands of innocent victims." Creator An entity primarily responsible for making the resource Giacomo Aliprandi (engraver) Giacomo Beys (illustrator) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English French Title A name given to the resource The Death of Robespierre Relation A related resource http://chnm.gmu.edu/revolution/d/11/|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 48 (pièces 6461-6583), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1799 Identifier An unambiguous reference to the resource within a given context 11 Image Popular Politics The Terror https://revolution.chnm.org/files/original/d03d1a219071607aa26f34fa8fbefa82.jpg bc57a66a1874a30499c8a10a8f3a40e5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 15 x 26cm Title (French) The image's title, in French. A Versailles, à Versailles le 5 Octobre 1789 Sortable Date 1789-10-05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource The women who arrived, though lightly armed, were no shrinking violets. They insisted that the royal family return to Paris where, in fact, they would find themselves under virtual house arrest. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource To Versailles, To Versailles! Relation A related resource http://chnm.gmu.edu/revolution/d/12/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 18 (pièces 2908-3106), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1789 Identifier An unambiguous reference to the resource within a given context 12 Image Monarchy Women https://revolution.chnm.org/files/original/444dc62b4927805c8da1346eacdb5584.jpg e1242eb757a0918d2514cc78a11342bc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 16.5 x 26.5 cm Title (French) The image's title, in French. Le Meâ Culpâ du Pape Sortable Date 1797-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource Although the revolutionaries long regarded the Pope as an enemy, their anger was stoked significantly by the papal decision to decree as unacceptable the Civil Constitution of the Clergy. This decision, hardly unexpected given the way that the revolutionary settlement upended church tradition and papal authority, apparently weighed heavily on Louis XVI. Some scholars believe it was this decision in Rome that turned the King down the path of no compromise. Creator An entity primarily responsible for making the resource S. L'amerique Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Mea Culpa of the Pope Relation A related resource http://chnm.gmu.edu/revolution/d/13/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 126, Pièces 11060-11148, période : 1791-1792|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 50 (pièces 6797-6938), Directoire, Consulat et Empire Date A point or period of time associated with an event in the lifecycle of the resource 1797 Identifier An unambiguous reference to the resource within a given context 13 Counterrevolution Image Religion https://revolution.chnm.org/files/original/5c487f807a328b63021ee8ef55956228.jpg a9a0e2da4aa7e6ca39054f1548a74432 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 35 x 46 cm Title (French) The image's title, in French. La Fontaine de la Régénération Caption The image's caption. Sur les débris de la Bastille, le 10 août 1793 Sortable Date 1796-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource In this engraving of the Festival of Reunion or Unity of 10 August 1793, a female statue of Nature in the form of the Egyptian goddess Isis represents the regeneration of the French people. It sits on the site of the Bastille prison, whose fall signaled the beginning of the Revolution. The engraving depicts the statue as made of stone, but in fact it was hastily constructed of papier mache. This engraving was printed in 1797 as part of a series of commemorative prints of events of the revolution. Creator An entity primarily responsible for making the resource Isidore-Stanislas Helman (engraver) Abraham Jacobsz Hulk (engraver) Charles Monnet (designer) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource The Fountain of Regeneration Relation A related resource http://chnm.gmu.edu/revolution/d/14/|Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 132, Pièces 11587-11673, période : 1793|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 10 (pièces 1571-1762), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1796 Identifier An unambiguous reference to the resource within a given context 14 Enlightenment Image Women https://revolution.chnm.org/files/original/2589b9e881d9f8e23d584c9717514c8f.jpg f75b8f13d05336d6fabd9c4025e1a053 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 30.5 x 50 cm Title (French) The image's title, in French. Explication Sortable Date 1794-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource This color drawing, produced in 1793 at the request of the Committee of Public Safety and then published as an engraving, caricatures the British army and its king, George III, as incompetent, who, despite fine uniforms, cannot defeat shoddily clad, yet energetic sans–culottes (on the left), who humiliate the British by defecating on the advancing troops. The British vainly try to respond with cannons in the shape of clysters, medical devices used to administer enemas. The key below indicates the particular British figures, notably Charles James Fox and George III, being satirized. Creator An entity primarily responsible for making the resource Jacques Louis David Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Army of Jugs Relation A related resource http://chnm.gmu.edu/revolution/d/15/|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 26 (pièces 4348-4477), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1794 Identifier An unambiguous reference to the resource within a given context 15 Counterrevolution Image Sans-culottes https://revolution.chnm.org/files/original/8bf113356ab414c1e09c9f13bce02f89.jpg 6591e17f6e8681c9f57574376933b82c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 14 x 19.5 cm Title (French) The image's title, in French. Fin Tragique de Louis XVI Sortable Date 1793-01-21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource As 80,000 crowded into the square to watch the execution of Louis XVI, they cannot have been unaware that the guillotine sat where a statue of Louis XV had been. Here Sanson, the executioner, snatches the detached head of Louis XVI to show to the crowd. He leans forward with approving eagerness. If the head of the King was the most recognizable old regime symbol, then the demise of that symbolic system becomes now complete. Waving on a pike, facing the King, is a Phrygian cap, now no longer placed on his head, as in other prints. In this way the engraver indicates a final severance of a complicated compromise. Creator An entity primarily responsible for making the resource Clausner Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French German Title A name given to the resource The Tragic End of Louis XVI Relation A related resource http://chnm.gmu.edu/revolution/d/16/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 31 (pièces 5142-5251), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1793 Identifier An unambiguous reference to the resource within a given context 16 Image Monarchy The Terror https://revolution.chnm.org/files/original/8035b32707922bcdf1f0289987d738e7.jpg b9df0a8119b586cd722ca55eda6e0866 https://revolution.chnm.org/files/original/792192b6610d27173d8a18664d970736.jpg 2dd0e301ccaf5fd527f6430534144d41 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Title (French) The image's title, in French. Démolition du Château de la Bastille Title (English) The image's title, in English. Demolition of the Bastille Caption The image's caption. Commencé sous Charles V en 1339; achevé en 1383. Pris le 14 Juillet 1789, et démoli aussitôt après sa prise. Le Vendredi 17 Juillet 1789, jour à jamais mémorable par l’Auguste confiance de Louis XVI envers sa bonne ville de Paris. Mrs les Députés de la Noblesse du nombre desquels était Mr le Marquis de Lusignon[?] se transportèrent sur les Plattes-formes de la Bastille dont on avait déjà démoli les Créneaux des Tours, ainsi que les petites Cahutes qui donnaient sur les terrasses. Ces généreux Citoyens soulevèrent eux-mêmes plusieurs pierres et secondés par les Ouvriers, ils les jetèrent dans les décombres en invitant le Peuple Français à continuer la Démolition de cette horrible prison. Caption (English) The image's caption, in English. Begun under Charles V in 1339, completed in 1383. Seized July 14, 1789 and demolished immediately after its capture. Thursday, July 17, 1789, a day forever memorable through the wise confidence of Louis XVI toward his good city of Paris. The deputies from the nobility including the Marquis of Lusignon [?] went up to see the platforms of the Bastille from which workers have already demolished the battlements of the towers as well as the little huts that look out over the terraces. Generous citizens pull up some bricks and seconded by the workers, they throw them into the ruins, thus inviting the French people to continue the demolition of this horrible prison. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching and colored wash Physical Dimensions The actual physical size of the original image 29.5 x 45.5 cm Sortable Date 1789-07-17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource This watercolor painting illustrates the "demolition" of what the text refers to as the "horrible prison" of the Bastille. As workmen tear down the spires on the roof, ordinary people rip stones off the base. These stones soon became collectors’ items, souvenirs of the people’s role in the outbreak of the Revolution—and symbols of the way in which many more people wanted to commemorate the event than had participated in it. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Demolition of the Bastille Relation A related resource http://chnm.gmu.edu/revolution/d/17/|Michel Hennin. Estampes relatives à l'Histoire de France. Tome 119, Pièces 10386-10489, période : 1789|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 10 (pièces 1571-1762), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1789 Identifier An unambiguous reference to the resource within a given context 17 Image Popular Politics https://revolution.chnm.org/files/original/ea172212825893fd1a781cf357b85388.jpg 076d4775ae32ae62a6246686cc8048c1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Sortable Date 1799-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived mfr 85.5 Description An account of the resource This image presents an idealized version of Napoleon during the Directory, especially his intellectual contributions. In the upper right corner he appears before the Directory. Along the right bottom, Napoleon clearly confronts the Middle East, both its Egyptian Pyramids and Christian elements, as three wise men bow before him. To the left, Napoleon seems to be dealing with the three graces—brilliance, joy, and bloom. The image above may describe his induction into the Institute, organized to promote advanced study. The tent to the right is a small reminder of his military role. Title A name given to the resource Printed Cloth of the Directory and Napoleon Relation A related resource http://chnm.gmu.edu/revolution/d/18/ Date A point or period of time associated with an event in the lifecycle of the resource 1799 Identifier An unambiguous reference to the resource within a given context 18 Image Napoleon Bonaparte