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                <text>Plate: 1914–17 Quimper china</text>
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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Museé de la Révolution Française, Vizille&lt;/span&gt;&lt;/p&gt;</text>
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                <text>In this extraordinary painting stands a formidable and powerful figure of liberty with her pike and cap. As the title of this work suggests, Liberty appears here as a warrior surveying the field of battle from a commanding height. Furthermore, the cock crowing at the dawn suggests the arrival of an entirely new day.</text>
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                <text>http://chnm.gmu.edu/revolution/d/31/|Collection Romain Merlin. Cartes à jouer</text>
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                <text>A very potent image associating the revolutionary war with an attack on tyrants. Contemporaries would have understood the target, "tyrants," to be the monarchs.</text>
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                <text>This ceremonial sword, created for one of the directors in 1799, is presented symbolically as an instrument to defend the "people." Indeed, the war effort was waged for the populace against the perceived injustices of the old regime and its remnants in and outside of France. Placing war on this footing clearly had the potential to inspire more support and more bloodshed as so much more seemed at stake.</text>
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                <text>This painting from 1877 shows in romantic style Robespierre dying in a large room, surrounded by soldiers and others. His shirt is bloodied and his left hand is on his chest; visible in the background is a tablet of the &lt;i&gt;Declaration of Rights of Man and Citizen&lt;/i&gt;, suggesting that it was the cause for which Robespierre died. The image might be seen as a moment of secular apotheosis.</text>
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