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              <text>&lt;span&gt;Le Joyeux Accord&lt;/span&gt;</text>
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              <text>&lt;span&gt;alon Messieu buvons à la santé d'not bon roi et de la patrie, soyons d'accord mais au moins qu'ce soi pour la vie. Et que la vertu soit notre guide et nous gouterons ensemble les vrais plaisirs de la vie&lt;/span&gt;</text>
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              <text>&lt;span&gt;la 1ere est d'être fidelle à la nation et au roi, la 2.ieme est d'aimer son prochain plus que l'argent, Et la 3.ieme est de ne pas faire aux autres ce que l'on ne voudroit pas que l'on nous fit.&lt;/span&gt;</text>
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                <text>This allegorical image represents the sentiments of social unity that the National Assembly sought to promote through the Festival of the Federation of 14 July 1790. This festival, though technically but a military parade of units from around the country, also implied to most observers the unity of all orders and classes.</text>
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                <text>http://chnm.gmu.edu/revolution/d/42/|de Vinck. &lt;em&gt;Un siècle d'histoire de France par l'estampe, 1770-1870&lt;/em&gt;. Vol. 12 (pièces 1934-2080), Ancien Régime et Révolution</text>
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              <text>Le Gargantua du siecle ou l'Oracle de la dive bouteille</text>
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                <text>Louis XVI’s old regime image graced china as well as coinage.</text>
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                <text>This color drawing from 1798 mocks both the French navy’s abysmal performance against Nelson’s fleet and the French hope to invade England; in the style of Gillray, it depicts a grotesque, gargantuan woman, straddling the English Channel and urinating into French ships while her trident pierces France and breaks off pieces to be seized by Britain.</text>
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        <name>Image</name>
      </tag>
      <tag tagId="24">
        <name>Sans-culottes</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
