7 10 1079 https://revolution.chnm.org/files/original/91bb7f21a427ea321eda53a433717a79.jpg e3283989c1475e0836d42666b39691c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived mfr 89.77 Description An account of the resource The Phrygian cap seems to be everywhere during the Revolution. Identifier An unambiguous reference to the resource within a given context 51 Title A name given to the resource Saucière with Phrygian Bonnet Relation A related resource http://chnm.gmu.edu/revolution/d/51/ Image Public Opinion https://revolution.chnm.org/files/original/790931517fda541b6690f3ea19dce9f7.jpg e04918a6f64d53a89d0546f287970c18 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 36.5 x 26 cm Title (English) The image's title, in English. Destruction of the French Collossus Caption The image's caption. Shall the Works of a wicked Nation remain? shall the Monuments of Oppression not be destroyed? shall the Lightning not blast the Image which the Destroyers have set up against the God of Heaven & against His laws? Sortable Date 1798-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource This hand–colored engraving, published in late 1798, depicts a Hercules representing France being decapitated by a lighting bolt in divine retribution for the executions by guillotine and for the attempt to create "Fraternity" and a "Religion of Nature" to replace the Christian love of God. Notice that it is the British who launch these deadly attacks. Creator An entity primarily responsible for making the resource James Gillray Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Title A name given to the resource Destruction of the French Colossus Relation A related resource http://chnm.gmu.edu/revolution/d/52/|Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 29 (pièces 4856-5017), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1798 Identifier An unambiguous reference to the resource within a given context 52 Counterrevolution Image Sans-culottes https://revolution.chnm.org/files/original/cf5feaad045267d8de8d09342ed1985f.jpg b0f31eff848203946e8cd327ea09b7b8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching Physical Dimensions The actual physical size of the original image 24.7 x 34 cm Sortable Date 1793-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Library of Congress Description An account of the resource In this English image, as the King’s head is about to fall into the executioner’s basket, bats out of Hell emerge, symbolizing the Revolution. At the same time, God’s favor seems to fall on Louis through a shaft of light coming from heaven. From the first, some English, especially Edmund Burke, were skeptical, indeed critical of the Revolution, and the numbers grew over time. In addition, the English had a thriving group of political cartoonists. These two factors helped produce some very interesting counterrevolutionary images. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Title A name given to the resource Hell Broke Loose, or, The Murder of Louis Relation A related resource http://chnm.gmu.edu/revolution/d/53/|"British Political and Social Cartoons, 1655-1832, not in the British Museum," produced by the Library of Congress Photoduplication Service, 1970 (Microfilm LOT 12022). Date A point or period of time associated with an event in the lifecycle of the resource 1793 Identifier An unambiguous reference to the resource within a given context 53 Counterrevolution Image Monarchy The Terror https://revolution.chnm.org/files/original/1441cfae93b0ca5054855e48c64a9390.jpg 25cb23228da66772f97f7df5e8f05a9f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching and colored wash Physical Dimensions The actual physical size of the original image 25 x 35.5 cm Sortable Date 1797-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Creator An entity primarily responsible for making the resource James Gillray Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Title A name given to the resource French Democrats surprizing the Royal Runaways. Relation A related resource http://chnm.gmu.edu/revolution/d/1134/|de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 23 (pièces 3894-4078), Ancien Régime et Révolution Date A point or period of time associated with an event in the lifecycle of the resource 1797 Identifier An unambiguous reference to the resource within a given context 1134 Image https://revolution.chnm.org/files/original/98727eac2b4639c92018946483bf7155.jpg 803d166ac53d07daeada49430eec61d3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 20.5 x 30 cm Title (French) The image's title, in French. Garde à vous N.o 1 ou le Sérail en Boutique Sortable Date 1800-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Bibliothèque Nationale de France Description An account of the resource The women in this image appear to be tempted to a life of prostitution. The female figure in the left foreground gestures toward the door but remains modestly attired. Once inside, the women are there for the pleasure of men and wear revealing or little clothing. The contrast in this moralistic image also reveals how differently contemporaries could depict "real" women from allegorical ones. The engraving reflected a vision of life during the Thermidorian reaction and the Directory (1795–99). Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Watch Yourself or You’ll Be a Product for Sale Relation A related resource http://chnm.gmu.edu/revolution/d/54/|Michel Hennin. Estampes relatives à l'Histoire de France. Tome 138, Pièces 12141-12215, période : 1795-1796 Date A point or period of time associated with an event in the lifecycle of the resource 1800-1804 Identifier An unambiguous reference to the resource within a given context 54 Image Women https://revolution.chnm.org/files/original/1148ea364b1e24cf84585ddab8b4cc0b.jpg fa248fd4ccbb550d3b7b57737fbedc28 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Title (French) The image's title, in French. Constitution Française, droits de l'Homme et du Citoyen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Museé de la Révolution Française, Vizille Description An account of the resource This image of the Declaration of Rights of Man and Citizen includes a fascinating mix of symbols. By arranging the articles on tablets, the artist clearly meant to associate this document with Moses’ Ten Commandments. Such a link could establish the revolutionaries’ handiwork as equivalent to that of God. Reinforcing this is the all–seeing eye located at the top of the tableau. However, this is not the God of biblical revelation but of the Masonic order, which espoused a deistic vision of a benevolent creator and founder of general laws. This deity was not a worker of miracles. Thus the Declaration results from the actions of humankind, who enjoy the beneficence of the generous deity. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource All Rights Reserved Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource French Constitution, Rights of Man and Citizen Relation A related resource http://chnm.gmu.edu/revolution/d/55/ Identifier An unambiguous reference to the resource within a given context 55 Enlightenment Image Laws https://revolution.chnm.org/files/original/2f3184e21e15075c2d9284ec5e2eacd1.jpg 8d90dc2a1c7dd43ec7d46d2d06d60ce5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Physical Dimensions The actual physical size of the original image 16 x 10 cm Title (French) The image's title, in French. Conseil des Cinq Cents Sortable Date 1795-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Museé de la Révolution Française, Vizille Description An account of the resource In this bicameral legislature, the smaller of the two councils (the Elders with 250 members) had to pass all the legislation, while the Five Hundred could initiate legislation. The revolutionaries decided on the division of authority. The directors functioned as the executive branch, in order to make less possible the consolidation of power, as in the Terror. Creator An entity primarily responsible for making the resource Jaques St. Sauveur Labrousse (sculptor) Rights Information about rights held in and over the resource All Rights Reserved Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource Costumes of the Council of Five Hundred Relation A related resource http://chnm.gmu.edu/revolution/d/56/|Images de la Révolution française : catalogue du vidéodisque, 1990, 31918-31919 Date A point or period of time associated with an event in the lifecycle of the resource 1795 Identifier An unambiguous reference to the resource within a given context 56 Image Middle Classes – Bourgeoisie https://revolution.chnm.org/files/original/cec720a3addc13451b27b9f3bebc96d9.jpg 12796eadfb9706ebfc91c5dc04cdf275 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting, oil on canvas Physical Dimensions The actual physical size of the original image 85 x 110 cm Title (French) The image's title, in French. La Verite amene La Republique et L'Abondance Sortable Date 1793-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Museum of the French Revolution 94.41 Description An account of the resource Female revolutionary figures stood for all kinds of qualities and virtues, in this case, "Truth." Women figures appeared so prominently in paintings and engravings because French nouns for the qualities and virtues were usually feminine (Truth = La Vérité). In other words, paintings such as this one did not represent real women; they used allegorical figures to make a more abstract point. Creator An entity primarily responsible for making the resource Nicolas de Courteille Rights Information about rights held in and over the resource Restricted Format The file format, physical medium, or dimensions of the resource JPEG Identifier An unambiguous reference to the resource within a given context 57 Title A name given to the resource Allegory of Truth Relation A related resource http://chnm.gmu.edu/revolution/d/57/ Date A point or period of time associated with an event in the lifecycle of the resource 1793 Enlightenment Image Public Opinion Religion The Terror Women https://revolution.chnm.org/files/original/cbf4de359a80c988bd9df1ce81a543d8.jpg 52f6f3a8eb09a93915474e6931955e4c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching Physical Dimensions The actual physical size of the original image 21 x 29 cm Title (French) The image's title, in French. L'elégance Parisienne No. 1: Le désagrément d'aller à pied Sortable Date 1805-00-00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Museé de la Révolution Française, Vizille Description An account of the resource Nobles had been used to riding in carriages or on horseback. Now, so radicals hoped, they could no longer afford to do so either financially or politically. The imagined response of this social elite reveals clearly to their attackers the worthlessness of such people. Creator An entity primarily responsible for making the resource None Identified Rights Information about rights held in and over the resource All Rights Reserved Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource French Title A name given to the resource The Annoyance of Walking Relation A related resource http://chnm.gmu.edu/revolution/d/58/ Date A point or period of time associated with an event in the lifecycle of the resource 1805 Identifier An unambiguous reference to the resource within a given context 58 Counterrevolution Image Nobility https://revolution.chnm.org/files/original/a30a551fe919119b70638990b5f67040.jpg 1931a70bf13e778cb6d414fc6c04b31f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived mfr 84.215 Description An account of the resource Part of the revolutionary undermining of the monarchy becomes evident in this profile of Louis XVI, shown here without his wig or finery. Identifier An unambiguous reference to the resource within a given context 59 Title A name given to the resource Louis as No More Than a Man Relation A related resource http://chnm.gmu.edu/revolution/d/59/ Image Monarchy