This engraving depicts a revolutionary club as a circus act complete with dancing dogs and clowns, all celebrating "the law and the King." This image might have been visual propaganda on behalf of clubs, suggesting that they could bring different…
The shoemaker shown here is president of his neighborhood revolutionary committee. Although this engraving does not portray a specific political activity, the character evokes hostility toward laborers and artisans who involved themselves in…
The trial of the Queen is here depicted in a tinted engraving by Jean Duplessi–Bertaux as part of his series of Historical Scenes of the French Revolution. Although it refers to her as "Marie Antoinette, the Austrian," the etching portrays her…
The Estates–General, reborn as the National Assembly, finished its work by completing a new constitution. This document provided for an executive—the King—as well as a legislative body. Suffrage was male and restricted to certain economic levels.…
A common complaint of rural petitions was the abuse of seigneurial dues owed by peasants to lords supposedly in exchange for protection and supervision. This image demonstrates the view that peasants envisioned their lords not as protectors, but as…
Cartoonists extrapolated more and more on a new Louis as the Revolution went along. Here, a rather rumpled King, dressed more like a shopkeeper than a monarch, opens a cage to let liberty out. Many scholars argue that the King was already…
This engraving from the Berthault series depicts Stanislas Maillard bravely climbing on a plank over the dry moat surrounding the fortress to accept from one of the soldiers Launay’s "capitulation" of the Bastille.
The remainder of the text on this image reads: Emperor of the French, King of Italy, and Protector of the Confederation of the Rhine. The military flags make clear the connection between military conquest and imperial glory.
