From Berthault’s series of great moments in the Revolution, this engraving presents a version of events on 6 October 1789 favorable to the King. Reminiscent of orderly ceremonial royal appearances, this image suggests that the outcome stemmed from…
Toned down and transformed from her revolutionary past, the Statue stands for liberty, even without a pike and a Phrygian cap. Furthermore, the Statue, a gift from France and a marvel of engineering, still connotes revolution because of the…
Having lived through a tumultuous year, France’s political leaders, new and old, perceived the need to foster a sense of unity among the people. The King’s more liberal ministers in particular hoped to prevent attempts to roll back the changes made…
Another version of the final meeting of the King with his family. To the left is his confessor; the figure to the right is most likely Cléry, the King’s valet.
This image shows "the people" as a chained and blindfolded man being crushed under the weight of the rich, including both clergy and nobility. Such a perspective on the period before 1789 purposely exaggerates social divisions and would have found…
This engraving uses classical figures to depict allegorically an alliance of Prussia, Britain, and Austria, represented as "Tyranny, Hypocrisy, and Pride," who seek to divide the map of France among themselves, while the French Nation prepares to…
This cartoon mocks all the leading figures of the "Counterrevolution," including the former royal family and its blood relatives, plus the clergy, the nobility, and specific individuals, such as Mirabeau, who had supported the monarchy in the early…
This image ridicules monks for contributing nothing to society, either economically or demographically, by depicting a group of them being taken from the monastery and drafted into the army, where they hope "to become good citizens" as was expected…
