In the spring of 1790, there was much debate in the Constituent Assembly and in the press over who should have the power to declare war or peace under the new constitution—the King or the legislature? On 22 May, the Count de Mirabeau fashioned a…
Popular during the early years of the Revolution, this song’s lively tune and repetitive chorus expressed revolutionaries’ hopefulness about the future. Singers manipulated its malleable lyrics to address a broad range of topical issues.
This 1790 article from the Journal Universel, a leading radical newspaper, recounts the long desperate history of the monarchy that ironically led the revolution.
The commission investigating the October Days took testimony from twenty–five women who had participated, including Marie–Rose Barré, a twenty–year old unmarried lace–worker, whose testimony is excerpted below. Barré had been one of the women chosen…
The major principle underlying the 4 August decree found legislative expression in the decree of 19 June 1790, which legally abolished the nobility, all its privileges, and, as the excerpt demonstrates, those aspects that seemed particularly contrary…
Condorcet took the question of political rights to its logical conclusions. He argued that if rights were indeed universal, as the doctrine of natural rights and the Declaration of the Rights of Man and Citizen both seemed to imply, then they must…
This image provides a visual overview of the Festival of Federation of 14 July 1790. Commemorating the fall of the Bastille one year earlier, this massive military parade of troops from all regions of the kingdom converged on a triple–tiered…
A hymn written by Joseph Gossec to celebrate national unity on the first anniversary of the taking of the Bastille. Combining old and new, Gossec set a traditional Latin text to music scored for wind instruments (rather than the common organ), the…
