Browse Items (102 total)

The Universal Declaration of Human Rights was passed by the General Assembly of the United Nations in 1948 to provide an authoritative list of human rights that could serve as an international standard for all peoples and nations. An affirmation of…

To those who considered Marat insincere and dangerous in his unrelenting populism, the true martyr was Charlotte Corday, who had come to Paris from Caen—a city then serving as a base for the federalist insurgency—apparently with the express intent of…

In the rioting over prices of February 1793, women appealed first to the authorities, showing that they intended to communicate directly with their representatives in the municipal government of Paris. By explicitly referring to themselves as…

Better known for her defense of the rights of women, Olympe de Gouges defended the rights of the downtrodden in general. Here she points out the cruelty of slavery and expresses the hope that the slave trade will be abandoned.

This grievance was signed by a certain Madame B*** B*** whose identity is unknown. The provenance appears to be Normandy. Another version of this text, located and republished in the late nineteenth century, is signed by Marie, veuve de Vuigneras,…

Unfortunately the only first-hand account of the meetings of the women’s club comes from notes taken by Pierre–Joseph–Alexis Roussel, published in a volume of memoirs in 1802. His account makes fun of the women’s club for discussing the virtues of…

Female revolutionary figures stood for all kinds of qualities and virtues, in this case, "Truth." Women figures appeared so prominently in paintings and engravings because French nouns for the qualities and virtues were usually feminine (Truth = La…

In this rendition of an incident from the Vendée rebellion, an ordinary woman is shown standing up to the rebels. It comes from a series of heroic images of the Revolution and shows that women could be heroines for the Republic.

This petition from the wife of a wigmaker in Paris demonstrates both the volatility of the political situation (she went to jail for badmouthing a local official while standing in line at a food market) and the conditions in prison.

The second image, a color drawing by the popular English caricaturist James Gillray in 1805 during the Empire, takes a different view of the Directory, suggesting that it is a time of moral decadence and self–aggrandizement. It depicts Paul Barras,…