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Contributors
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Vivian Cameron is an independent
scholar continuing research in New Haven, CT after teaching many
years in the United States and Canada.
She is the author of numerous studies focusing on the eighteenth
and
nineteenth centuries, particularly women in art, female artists,
and popular imagery of the French Revolution.
Jack R. Censer is professor of history at George Mason University. With Lynn Hunt, he is co-author of Liberty, Equality, Fraternity: Exploring the French Revolution (Pennsylvania State University Press, 2000). Included in the book is a CD-ROM which is also linked to a website, www.chnm.gmu.edu/ revolution. Censer has also written a number of other works on the press of old regime and revolutionary France.
Barbara Ann Day-Hickman received her Ph.D.
in Modern European History with a minor in Art History from the
University of California
at Irvine. She also studied at the Ecole Practique des Hautes
Etudes en Sciences Sociales in Paris and did postdoctoral work
at the Smithsonian Institution. She is currently an associate
professor in Modern European history and Women's Studies at Temple
University in Philadelphia. In addition to her recent book, Napoleonic
Art: Nationalism and the Spirit of Rebellion in France 1815-1848),
she continues to publish articles on the cultural interfacing
history and art. Currently, she is developing a more in breadth
study of gender, fashion, and social agency in a manuscript entitled "The
Struggle for the Pants in the Family: Women's Sartorial Audacity
from 1789 to World
Winner of the American Historical Association's
Gutenberg-e Prize for 2000, Wayne Hanley holds a doctorate in modern
European history from the University of Missouri-Columbia. He is
currently an assistant professor of history at West Chester University
of Pennsylvania and the author of The Genesis of Napoleonic
Propaganda, 1796-1799 (Columbia University Press, 2003).
Lynn Hunt is Eugen Weber Professor of Modern European History at UCLA. She was president of the American Historical Association in 2002. She is the co-author with Jack Censer of Liberty, Equality, Fraternity: Exploring the French Revolution (Pennsylvania State University Press, 2000) and the author or editor of various works on the French Revolution, the history of pornography, historical epistemology, and the methods of cultural history. She is one of the authors of Making the West, a textbook on the history of Western civilization, and is currently at work on a book about the origins of human rights.
Joan B. Landes is Professor of Women's Studies and History at The Pennsylvania State University, and was President of the American Society for Eighteenth-Century Studies (2003/04). Her books include Women and the Public Sphere in the Age of the French Revolution (Cornell University Press, 1988), Visualizing the Nation: Gender, Representation, and Revolution in Eighteenth-Century France (Cornell University Press, 2001); Feminism, the Public and the Private (Oxford University Press, 1998), Monstrous Bodies/Political Monstrosities in Early Modern Europe (Cornell University Press, 2004). She jointly authored and edited the exhibition catalogue Representing Revolution: French and British Images, 1789-1804 (Amherst College, Mead Art Museum, 1989). She has served on the editorial boards of French Historical Studies and Eighteenth-Century Studies, and is currently a member of the North American editorial collective of Gender & History.
Warren Roberts is Distinguished Teaching Professor in the Department of History at the University at Albany, State University of New York. He has published Morality and Social Class in Eighteenth-Century French Literature and Painting (U. of Toronto Press, 1974), Jane Austen and the French Revolution (Macmillan, London, 1974), Jacques- Louis David, Revolutionary Artist: Art, Politics, and the French Revolution (U. of North Carolina Press, 1989), and Jacques-Louis David and Jean-Louis Prieur, Revolutionary Arists: The Public, the Populace, and Images of the French Revolution (SUNY Press, 2000). |
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A project of the Center for History & New Media, George Mason University and the Department of History, University of California, Los Angeles for the American Historical Review. |
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